Issue edited by Ida Panicelli. Essays "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "The Cave: Maria Nadotti on Film," by Maria Nadotti; "Object: Alessandro Mendini on Design," by Alessandro Mendini; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Museum Piece: Karen Marta on Malcolm McLaren," by Karen Marta; "Something to Do with Jennifer Bolande," by Paula Marincola; "You Are a Camera," by Roselee Goldberg; "Sorry: A Project for Artforum," by Guillaume Bijl; "Ritual Ecstasies: Lars Nilsson," by Lars Nittve; "Not Vital's Relics of the Present," by Donald Kuspit; "Foul Perfection: Thoughts on Caricature," by Mike Kelley; "We Androids," by Doreet Levitte Harten; "Tear Sheet: A Project for Artforum," by Tear Sheet. ... [details]
Issue edited by Ida Panicelli. Essays "Appetizer: Book Preview of 'Venus in Furs,'" by Leopold von Sacher-Masoch; "Curies Children: Vilem Flusser on Discovery," by Vilem Flusser; "Special Effects: Carol Squiers on the News and its Pictures," by Carol Squiers; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Folio: Barbara Moore on Artists' Publications," by Barbara Moore; "Books: Daniel Soutif on L'Art Africain," by Daniel Soutif; "Dona Nelson's Time Pieces," by Lisa Liebmann; "The Closed Book : A Project for Artforum," by Michelangelo Pistoletto, photography by Ari Marcopoulos; "Franz West: The Antibody to Anti-Body," by Helmut Draxler; "Houses by Thomas Ruff"; "Through a Glass Darkly," by John Perreault; "Karen Finley's Poisoned Meatloaf," by Maria Nadotti; "Domestic Science," by Charles V. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "At the Limits: Homi K. Bhabha on the Power of the Text," by Homi K. Bhabha; "Folio: Buzz Spector on John Baldessari's Tristram Shandy," by Buzz Spector; "Special Effects: Carol Squiers on the News and Its Pictures," by Carol Squiers; "What in the World: Andrew Solomon on the Art of Perestroika Part II," by Andrew Solomon; "Expertease: Bell Hooks on Cultural Interrogations," by Bell Hooks; "Added Attractions," by Patricia C. ... [details]
Special issue of artforum on "wonder" edited by Ida Panicelli. "As you will see, no article focuses particularly on the field of art. Instead, we asked over 200 artists to respond to the word 'wonder' by supplying us with an image, a statement, or both. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," By J. Hoberman; "Marginalia: Thomas McEvilley on the Global Issue," by Thomas McEvilley; "Curie's Children: Vilém Flusser on an Unspeakable Future," by Vilém Flusser; "Exits and Entrances: Jeff Kelley on Border Art," by Jeff Kelley; "Books: Johanna Drucker on Graphic Design in America," by Johanna Drucker; "Democracy, Inc. ... [details]
Issue edited by Ida Panicelli. Essays "Media Kids: Roselee Goldberg on 'Seasame Street,'" by Roselee Goldberg; "Special Effects: Carol Squiers on the Future of a Delusion," by Carol Squiers; "Expertease: Rosalyn Deutsche on Men in Space," by Rosalyn Deutsche; "Museum Piece: Francesco Dalco on Giulio Romano," by Francesco Dalco; "Undertone: Scott Gutterman on the Jazz Hero," by Scott Gutterman; "Exits and Entrances: Maria Nadotti on Robert Wilson's 'Orlando,'" by Maria Nadotti; "Language and Landscape: An Ontology for the Western," by Jane Tompkins; "To Marat: A Project for Artforum," by Rui Sanches; "Kiki Smith: Body and Soul," by Christopher Lyon; "Gerry Bergstein: A Self-Confessed Couch Potato," by Francine A. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Mira Schor on the Return of the Same," by Mira Schor; "Ground Up: Herbert Muschamp on Property," by Herbert Muschamp; "Democracy, Inc.: Simon Watney on 'Pseudologia Fantastica," by Simon Watney; "The Cave: C. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Curies Children: Vilém Flusser on Popes," by Vilém Flusser; "Special Effects: Carol Squiers on Truth Value," by Carol Squiers; "Commedia Dell'A: Homoeroticism Blues, A Project for Artfourm," by Howard Cruse; "Like Art: Glenn O'Brien on Luxury," by Glenn O'Brien; "Ground Up: Herbert Muschamp on California Archictecture," by Herbert Muschamp; "Critical Fictions: Clive Phillpot on Changing of the Garde," by Clive Phillpot; "Slant: David Frankel on a Czechered History," by David Frankel; "A Drawing Page: Untitled: A Project for Artforum," by Jim Dine; "Seeing the Scene: With 'Baptism of Solitude,' A Project for Artforum," by Karl Johnson; "Temptation," by Kenneth Baker; "Oil and Water: With 'Oil Rooms,' a project for Artforum," by Per Barclay; "The Obligatory Bed Piece: Jessica Stockholder," by Jack Bankowsky; "Critical Reflections," by Kay Larson; "A Theory of Everything: Meditations on Total Chaos," by Vivian Sobchack; "Hujar," by Max Kozloff. ... [details]