Compendium of all three published issues of Black Phoenix, a journal published in the United Kingdom between 1978 and 1979. Edited and published by Rasheed Araeen and Mahmood Jamal. Contributions by Rasheed Araeen, Mahmood Jamal, Guy Brett, Kenneth Coutts-Smith, Ariel Dorfman, Eduardo Galeano, N. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. ... [details]
Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco;" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. ... [details]
Issue number eight of the quarterly periodical Avalanche, published Summer / Fall 1973. Cover is a posthumous dedication to Robert Smithson, featuring a photograph of Robert Smithson by Nancy Holt. ... [details]
Tabloid sized exhibition catalogue published in conjunction with show held at the Jewish Museum, New York, September 16 - November 8, 1970. Traveled to The Smithsonian Institution, Washington, DC, December 16, 1970 - February 14, 1971. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
March 1974 issue of Studio International with cover specially designed for this issue by Roger Hilton. Edited by Peter Townsend. Contents include: "XII Bienal de São Paulo: a prototype for vaudeville," by Regina Cornwell; "L'Exposition des Impressionnistes," by Louis Leroy; "Correspondence;" "No isms in Hungary," by Anik Cs. ... [details]
April 1974 issue of Studio International with cover specially designed for this issue by Klaus Rinke. Edited by Peter Townsend. Contents include: "Art and industry: a systematic approach," by Bernard Smith; "Correspondence;" "On Mounds," by James Davis; "Memories of passing: a note on Richard Long," by R. ... [details]
December 1974 issue of Studio International with a cover specially designed for this issue by Kurt Kranz. Edited by Peter Townsend. Contents include: "American painting and British painting: some issues," by Terry Smith; "Two Recent Works," by Douglas Huebler; "Road-digging and aestheticism: Oxford in 1874," by Tim Hilton; "William Scott in conversation with Tony Rothon;" "What sculpture is 1 & 2," by William Tucker; "Agnes Denes: analytical works;" "The mechanism of control and unofficial art in the USSR," by Igor Golomshtock; "NSCAD prints," by Eric Cameron; "Review;" and "Guide to publisher's, presses and galleries dealing in graphics. ... [details]
