September 1974 issue of Art-Language featuring collaborative contributions. Contributions by Ian Burn, Mel Ramsden, Terry Smith, Terry Atkinson, David Bainbridge, Michael Baldwin, Michael Corris, Charles Harrison, Preston Heller, Graham Howard, Harold Hurrell, Joseph Kosuth, Andrew Menard, Philip Pilkington, David Rushton. ... [details]
Issue edited by Philip Leider. Essays "Thomas Couture and the Theatricalization of Action in 19th Century Painting," by Michael Fried; "Fining it Down: Don Judd at Castelli," by Robert Pincus-Witten; "Ronald Bladen and Robert Murray in Vancouver," by Dennis Wheeler; "An Interview with Carl Andre," by Phyllis Tuchman; "Three Notes on an Exhibition as a Work," by Annette Michelson; "A Memoir of Zadkine," by Sidney Geist; "Geometric Abstract Painting and Paris in the Thirties, Part II," by John Elderfield; "19th Century American Art at the Met: 1. ... [details]
Issue edited by Philip Leider. Essays "Caro's Abstractness," by Michael Fried; "The Artist and Politics: A Symposium," by Carl Andre, Jo Baer, Walter Darby Bannard, Billy Al Bengston, Rosemarie Castoro, Rafael Ferrer, Don Judd, Irving Petlin, Ed Ruscha, Richard Serra, and Lawrence Weiner; "How I Spent my Summer Vacation," by Philip Leider; "Goodbye, Architecture," by Helmut C. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Inventing Pangaea, Jon's and Ginzel's Whole-earth Recipe"; "Ground Up," by Herbert Muschamp; "Like Art: The Star-spangled Pitch," by Glenn O'Brien; "The Cave: Local Technicolor," by Wolfram Schutte; "Object: Abracadabra, The Magic Space of Supple Geometry," by Seigow Matsuoka; "Slant: On Success and Pittsburgh's 1985 Carnegie International," by Donald Kuspit; "Modern Life: The Manet Tapes and More Recent Dupes," by Carter Ratcliff; "Speaker to Speaker: The Clash find the Sound of Silence, Plus the 1985 Top Ten," by Greil Marcus; "Ask Not What: The Kennedys, the Camera, and Us," by Thomas McEvilley; "Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil," by Klaus Kertess; "Blinky Palermo: Abstract Medicine for the Senses," by Donald Kuspit; "The Stridentists: Excavating a Forgotten Avant-garde; the Revolutionary Forebears of Mexico's Muralists," by Serge Fauchereau; "Hungary by Heart: A Trip with André Kertész," by Sylvia Plachy; "Project for Artforum: Two Moods," by Sylvia Plimack Mangold. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: On the Job," by Jan Hoet; "Ground Up: Dresser and Bureaus of Internal Affairs," by Herbert Muschamp; "Like Art: H-h-h-heads and Tails," by Glenn O'Brien; "Speaker to Speaker: S--f-censorship," by Greil Marcus; "What in the World: Missing Sign Language," by Andrew Solomon; "Production Values: Tinkering with Toys," by Dan Cameron; "On Location: At Noriyuki Haraguchi's Studio on Tokyo Bay," by Kazue Kobata; "Customs: A Roman Correspondent Observes a New York Instituition," by Ida Panicelli; "A Canvas of Episodes: Mazel Tov," by Frederic Tuten; "The Dictatorship of Clement Greenberg: A Critic Looks at a Critic," by Kay Larson; "The Adventure of the Third Essay: In Which We Lose Our Bearings and Gain Our Freedom. ... [details]
Issue edited by Ingrid Sischy. Essays "Alexis Smith R Tist: Cliché Verité," by Hunter Drohojowska; "Inside the Tomato Jungle: André Masson on Greek Ideas, French Painting, and American Prodigies. A Conversation," by Demosthenes Davvetas; "The Mausberg Collection: A Project for Artforum," by Reinhard Mucha; "Things That Go Bump: At Documenta 8, Curators with Causes. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]
