All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Comprehensive monograph / biography on the 52 meticulously organized and artistically grouped catalogues of late-twentieth century avant-garde art and its ephemera sent out over the course of three decades by the late, legendary, San Francisco based dealer Steven Leiber. ... [details]
Summer 1982 issue of Artforum edited by Ingrid Sischy. Contents include: "Forum: Waking Up to How We Sleepwalk," by Lawrence Weschler; "Great Expectations: Artists' TV Guide," by Robin White; "Book for Nigel Greenwood," a project by Richard Tuttle; "Framed: Innocence or Gilt?" by Germano Celant; "Three Color + within +," a project by Robert Mangold; "Negative Presences in Secret Spaces: The Art of Eric Orr," by Thomas McEvilley; "In the Absence of Heroes: The Early Work of Georg Baselitz," by Dr. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. ... [details]
October 2012 issue of the Chinati Foundation Newsletter. Contents include: "The Whole Judd," by Marianne Stockebrand; "Judd, Bagpipes, Tartans, and Times," by Sterry Butcher; photographs by Luisa Lambri; "Artists on (and in Honor of) John Chamberlain," by Amy Sillman, Mark Flood, James Rosenquist, Oscar Tuazon and Chamberlain on Chamberlain; "Looking at Arp (Reading Judd)," by Arie Hartog; "Hans Arp & Donald Judd," by Arie Hartog; "Jean Arp," by Donald Judd; "Five-Element Stupa in Optical Glass," by Hiroshi Sugimoto; "Conservation Report: Claes Oldenburg and Coosje van Bruggen's 'Monument to the Last Horse,'" by Bettina Landgrebe; and a feature on artists in residence 2011 - 2012, including Justin Almquist, David Fenster, Rob Fischer, Karl Haendel, Frank Benson and Ester Partegas. ... [details]
![Prospect 69 : Katalog-Zeitung zur internationalen vorschau auf die Kunst in den Galerien der Avantgarde 30. September bis 12. Oktober 1969 [Catalog newspaper for the international preview of art in the galleries of the avant-garde]](/objects/images/s38028.jpg "Prospect 69 : Katalog-Zeitung zur internationalen vorschau auf die Kunst in den Galerien der Avantgarde 30. September bis 12. Oktober 1969 [Catalog newspaper for the international preview of art in the galleries of the avant-garde]")
Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. ... [details]
Large-scale monograph documenting the first 25 years of exhibitions at Konrad Fischer Gallery held from October 1967 - October 1992. Text by Carl Andre. Includes a complete list of exhibitions with exhibition dates and full page installation images. ... [details]
A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. ... [details]
Exhibition catalogue published in conjunction with show held at the New Museum, New York, December 1, 2007 - March 30, 2008, the first exhibition in their new building on the Bowery. Curated by Richard Flood, Massimiliano Gioni, and Laura Hoptman. ... [details]
