Exhibition catalogue published in conjunction with show held in July 1971. Organized by Jorge Glusberg. Artists include Vito Acconci, Eleanor Antin, Arakawa, Sue Arrowsmith, David Askevold, Walter Ave, John Baldessari, Manuel Barbadillo, Robert Barry, Otto Beckmann, Luis Benedit, Mel Bochner, Christian Boltanski, Ian Breakwell, Eugen Brikcius, Stuart Brisley, Stanley Brouwn, Donald Burgy, Don Celender, Jürgen Claus, James Collins, Christo, Agnes Denes, Mirtha Dermisache, Antonio Dias, Geniy Dignac, Gregorio Dujovny, David Dye, Stano Filko, Barry Flanagan, Terry Fox, Dr. ... [details]
Large-scale exhibition catalogue published in conjunction with exhibition "Documenta 5," held June 30 - October 8, 1972. Catalogue features screenprinted cover designed by Edward Ruscha. This massive tome is housed in a vinyl covered, European standard, two-ring notebook. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
Single sided flyer published in conjunction with performances held on January 29 and 30, 1963. Performers included: William Davis, Ruth Emerson, Fred Herko, John Herbert McDowell, Steve Paxton, Yvonne Rainer, Carolee Schneemann, Elaine Summers, La Monte Young, Richard Andrews, Trisha Brown, Lucinda Childs, Philip Corner, Judith Dunn, Robert Dunn, Arlene Goldstein, Malcolm Goldstein, Deborah Hay, [Robert] Bob Huot, [Robert] Bob Morris, and Simone Morris [Forti]. [details]
Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Exhibition catalogue published in conjunction with show held March 15 - May 22, 1983. Curated by John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims. Featured artists are Richard Artschwager, John Baldessari, Jean Michel Basquiat, Ericka Beckmann, James Benning, Jonathan Borofsky, Louise Bourgeois, Robert Breer, Ellen Brooks, Barbara Buckner, Bruce Charlesworth, Robert Colescott, Bruce Conner, John Coplans, Eileen Cowin, William Crozier, Vivienne Dick, Juan Downey, Ken Feingold, R. ... [details]
Two volume set: Volume 1: Anthology of Marxist writings on communications, information and culture. Edited by Armand Mattelart and Seth Siegelaub. Essays by Armand Mattelart, Seth Siegelaub, Karl Marx, Frederick Engels, Antonio Gramsci, V. ... [details]
Issue edited by Ruth Stephan, John Stephan, and John Nerber. Includes "Ideas of Art : 6 Opinions on Art, What Is Sublime in Art?" with contributions by Kurt Seligmann, Robert Motherwell, A.D.B. Sylvester, Barnett B. ... [details]
Exhibition catalogue published in conjunction with show held at The Drawing Center, New York, February 24 - April 6, 1996. Texts by exhibition organizer and artist Julie Ault and artist and writer Thomas Lawson. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]