Issue edited by Philip Leider. Essays "The Razed Sites of Carl Andre," by David Bourdon; "Nakian at the Modern," by Barbara Rose; "Notes on Sculpture, Part II," by Robert Morris; "Two Showings of Younger Los Angeles Artists," by Fidel A. ... [details]
Compendium of transcripts and texts based on "Open Circuits : An International Conference on the Future of Television," which was organized by Fred Barzyk, Douglas Davis, Gerald O'Grady, and Willard Van Dyke for the Museum of Modern Art, New York City, in January 1974. ... [details]
Exhibition catalogue published in conjunction with show held March 17 - July 28, 1996. Traveled September 21, 1996 - January 5, 1997, Wexner Center for the Arts, Columbus, Ohio; June - September 1997, Palazzo delle Esposizioni, Rome, Italy; October 11, 1997 - January 21, 1998, Museum of Contemporary Art Chicago, Illinois. ... [details]
"'The Alchemy of...Stupid' documents Los Angeles-based artist Edgar Arceneaux's multi-channel video installation of the same name, which was commissioned and exhibited by Gallery 400, College Architecture and the Arts, University of Illinois at Chicago. ... [details]
Exhibition catalogue published in conjunction with show held at Everson Museum of Art, Syracuse, NY, September 1 - September 30, 1979 and February 1 - March 2, 1980. Traveled to Museum of Contemporary Art, Chicago, October 5 - November 4, 1979 ; University Art Gallery, Berkeley, CA, November 10, 1979 - January 5, 1979 ; Museum of Contemporary Art, La Jolla, CA, February - March 1981. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
Artists' publication documenting the theft of a painting by Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, and Scott R. Kahn in 1969. Introduction by Lawrence Alloway: "These documents record a theft of art. ... [details]
This issue of Franklin Furnace''''s periodical "The Flue," edited by Deborah Drier. Designed by John Copoulos. Cover by Louise Lawler. "(Con) Text: Update on the Collection/International Mail Art" by Jill Medvedow; "Love, Death and Freedom in Roumanian Dadaism and Surrealism" a poetical essay by Valery Oisteanu; "Russian Avant-Garde Book Design" by Gail Harrison Roman; "Sterilization/Elimination: Chilling "Homage" to Genocide" by Anne Pitrone; "Performance Criticism: Studying Mad Pursuit" by Barbara Baracks; artists'''' pages by Agnes Denes, Beverly Feldmann, David Hammons and Dawoud Bey, Dieter Froese, Kay Hines, Stephanie Brody Lederman, Jack McCaslin, Ana Mendieta and Jack Parker. ... [details]
"What the Sound Looks Like is a visual celebration of the music of the Talking Heads by over fifty international contemporary artists." -- publisher's statement. Texts by Talking Heads and Frank Olinsky. ... [details]
Large-scale monograph on the film collection held by The Museum of Modern Art. Essay by Steven Higgens. "Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. ... [details]