Arts Yearbook Number 9 focusing on Museums. Edited by the staff of Arts Magazine. Essays "Museums and Masses : An Introduction," by Lawrence Alloway; "Dialogue on Purpose," by Lawrence Alloway, William C. ... [details]
Fifth and final edition of the exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 550 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Complete set consisting of volumes number 1 [unnumbered], 2, 3, 4 and 5. All published versions. Exhibition / collection catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin Styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with numerous printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Large-scale catalogue documenting the video collection held by the Generali Foundation. Additionally this catalogue documents other works held by the Foundation including paintings, drawings, sculpture, photography, and other works. ... [details]
Exhibition catalogue published in conjunction with show held April 21 - June 4, 1994. Text by Michael McClure. Includes an interview with Robert Graham by Michael McClure and biographies. [details]
Brian Wallis' editor's galley proof of a compendium of writings and projects for publication by Dan Graham, edited by Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Compendium of writings and projects for publication by Dan Graham, edited by Brian Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
