"This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. ... [details]
Artist's project by Ira Joel Haber, artist and employee of Norbert J. Prager Associates, a company that dealt with mailed surveys. Haber asked 27 artists to check two sets of numbers "to share with them my immediate environment in some of its visual and process forms. ... [details]
Exhibition catalogue published in conjunction with show held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969. ... [details]
Issue Number Five of the irregularly issued periodical "0 to 9" edited by Bernadette Mayer and Vito Hannibal Acconci. Contains texts "Sentences on Conceptual Art," by Sol LeWitt; "Seneca Songs," by Richard Johnny Jon and Jerome Rothenberg; "Non-Site Map of Mono Lake, California," by Robert Smithson; "Three Poetry Events," by John Perreault; "Lecture for a Group of Expectant People," by Yvonne Rainer; "Untitled," by Bernadette Mayer; "Sonnet XXI" and "Suite VII ('triplicates')" by Clark Coolidge; "Four Pages," by Vito Hannibal Acconci; "Poems," by Hannah Weiner; "The Disposable Transient Environment," by Les Levine; "Poem," by Bernadette Mayer; "Untitled," and "Untitled," by Adrian Piper; "The Fashion Show Poetry Event Essay," by Eduardo Costa, John Perreault, and Hannah Weiner; "The Conquest of Pizarro," by Kenneth Koch; "I Can Walk Through the World as Music," by Philip Corner; "Poems," by Jack Anderson; "Scramble," and "Sonnet," by John Perreault; "Act 3, Scene 4," by Vito Hannibal Acconci, "Warhol," by Clark Coolidge; "Firecrackers," by Rosemary Mayer; "Poem," by John Inslee; "Moon in Three Sentences," by Bernadette Mayer; and "Alternatives," by John Perreault. ... [details]
Two press Release's and program for "The Fashion Show Poetry Event" held at the Center for Inter-American Relations, New York City, January 14, 1969. Organized and conceived of as an artwork in itself by Eduardo Costa, John Perreault, and Hannah Weiner. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - November 6, 2016. Show curated by Eugen Blume and Catherine Nichols. Catalogue features texts by An Paenhuysen. Artists include Hannah Arendt, Carl Barks, Robert Barry, Lothar Baumgarten, Samuel Beckett, Joseph Beuys, Ludwig Biller I, James Wallace Black, Bonaparte, Dirk Braeckman, Andre Breton, Marcel Broodthaers, James Broughton, Hendrick ter Brugghen, Berlinde de Bruyckere, Theodor de Bry, Peter Buggenhout, Nöel Burch, Rachel Carson, , Adelbert von Chamisso, Charlie Chaplin, Larry Clark, Manthia Diawara, Stan Douglas, Georges Dudognon, Bob Dylan, Andrzej Dziewanowski, Elif Erkan, Harun Farocki, Andreas Fischer, Urs Fischer, Peter Fischli & David Weiss, Fisk Jubilee Singers, Gisele Freund, Caspar David Friedrich, Anna Bella Geiger, Baylis Glascock, Edouard Glissant, Francisco de Goya, Andreas Gursky, João Maria & Pedro Paiva Gusmão, Thomas Heath, Martin Heidegger, Jan Sanders van Hemessen, Binelde Hyrcan, Rolf Julius, Immanuel Kant, Hein Kaske, On Kawara, Petra Kelly, Sister Mary Corita, Anselm Kiefer, Paul Klee, Barbara Klemm, Jeff Koons, Paul Lafargue, Hedy Lamarr, Zhensheng Li, Johannes Linderman, David Lloyd, Martin Luther, Len Lye, Gustav Machaty, Lydia Mall, André Malraux, Bhikku Maha Mani, Ralph Eugene Meatyard, Kazimierz Michalowski, Carmen Miranda, Bruce Nauman, Nam June Paik, Pier Paolo Pasolini, Manfred Paul, Ezra Pound, Jason Rhoades, Gerhard Richter, Rihanna, Auguste Rodin, Hermann Oskar Rückwardt, nicolaus III Rugendas, Nelly Sachs, Johannes Gottfried Schadow, Christoph Schmidt, Carl Schulz, Kurt Schwitters, Allan Sekula, Fazal Sheikh, Yinka Shonibare, Roman Signer, Renée Sintenis, Melanie Smith, Martin Städeli, Thomas Struth, Hans-Jürgen Syberberg, Rosemarie Trockel, Cy Twombly, Arnaud Uyttenhove, Biagio Vairone, Jeff Wall, Andy Warhol, Gebrüder Weber Berlin, Eyal Weizman, Franz West, Rachel Whiteread, Johann Mathias Willebrand, August Wohlfahrt, Joachim Anthonisz. ... [details]
![S.M.S. [ aka : SMS / aka : Shit Must Stop ]](/objects/images/s15867.jpg "S.M.S. [ aka : SMS / aka : Shit Must Stop ]")
Issue number three of the journal of artists' multiples edited by William Copley. Works included: "Poem," by Aftograf; "Gloves," by Enrico Baj; "Clouds," by William Bryant; "O de tes Londont," by Dick Higgins; "Four Titled Abstracts," by Joseph Kosuth; "Two Drawings," by Ronnie Landfield; "Brush in Hand," by Roland Penrose; "Mona Lisa's Father," by Man Ray; "Correspondance," by H. ... [details]
Issue edited by Joshua Cohn, Walter Robinson, Edit deAk, with guest editor Anna Canepa. Essays "Some Notes on My Use of Video," by Vito Acconci; "August 1974: Fawn Grove, PA.," by Joan Jonas; "Text: Television Delivers People," by Richard Serra; "Shooting Star," by Bruce Kurtz; " Video and The Museum," by David A. ... [details]
Exhibition catalogue published in conjunction with show held at the Allen Art Museum, Oberlin College, Ohio, April 17 - May 12, 1970. Introduction by Athena T. Spear. Artists include Vito Acconci, Siah Armajani, Michael Asher, John Baldessari, Robert Barry, Frederick Barthelme, Bill Beckley, Mel Bochner, Jonathan Borofsky, George Brecht, Victor Burgin, Donald Burgy, Ian Burn, Scott Burton, James Lee Byars, Luis Camnitzer, Rosemarie Castoro, Don Celender, Fred Cornell Cone, Christpher Cook, Eduardo Costa, Robert Cumming, Roger Cutforth, Royce Dendler, David Dunlap, David Eisler, Robert Feke, Rafael Ferrer, George Gladstone, Dan Graham, Ira Joel Haber, Richards Jarden, On Kawara, Michael Kirby, Paul Kos, Joseph Kosuth, R. ... [details]
"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
