Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
![Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]](/objects/images/s5967.jpg "Seis Años : La Desmaterialización del Objeto Artístico de 1966 a 1972 [ Six Years : The Dematerialization of the Art Object from 1966 to 1972 ]")
Spanish language edition of an essential source book, "Six Years : The Dematerialization of the Art Object from 1966 to 1972," compiling the documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
Exhibition catalogue published in conjunction with show held December 30, 1969 - March 1, 1970. Essay by curator Jennifer Licht. Each artist in exhibition: Michael Asher, Larry Bell, Dan Flavin, Robert Morris, Pulsa, Franz Erhard Walther, received four pages to document their projects or to use as they saw fit. ... [details]
Exhibition catalogue published in conjunction with a series of shows held at the Pomona College Museum of Art, between August 30, 2011 and May 13, 2012. Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Exhibition catalogue published in conjunction with show held May 1 - August 1, 2004. Curated and with essays by Ingrid Schaffner, Bennett Simpson, and Tanya Leighton. Additional essay by Paula Marincola. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
Issue edited by Joseph Masheck. Essay "Alexander Rodchenko: The Simple and the Commonplace," by Hugh Adams; "The Photomontages of José Renau," by Carole Naggar; "Franz Kline's Color Abstractions: Remembering and Looking Afresh," by Budd Hopkins; "Michael Goldberg's New Paintings," by John Johnston; "Angela Jansen, Printmaker," by Francine Tyler; "Seven Artists of Israel," by Steven Kasher; "Oliver Lee Jackson: Forms that Feeling Takes," by Regina Hackett; "Planar Constructions and the Planar Dimension," by Erik Saxon; "Books: 'The Third Mind,'" by Nicolas Calas. ... [details]
