May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Critical theory text examining the imperialist ideology in the Disney Comic "Donald Duck." Translation and updated introduction by David Kunzle. Appendix by John Shelton Lawrence. Published by Seth Siebelaub's International General imprint. ... [details]
Critical theory text examining the imperialist ideology in the Disney Comic "Donald Duck." Translation and introduction by David Kunzle. Appendix by John Shelton Lawrence. Published by Seth Siebelaub's International General imprint. ... [details]
November - December 1980 issue of Art International, edited by James Fitzsimmons. Contents include: "The Chinese Response to Western Art," by Michael Sullivan; "A Letter from Paris: October 1980," by Henry Martin; "Jürgen Brodwolfs Kunst der Kunstfigur," by Bernhard Holeczek; "La Dynastie des Bruegel;" by René Micha; "Notes on Contributors;" "The Art of Terence La Noue," by Valentine Tatransky; "The Daemon and the Night Sea," by Ann McCoy; "An Interview with Fletcher Benton," by Jan Butterfield; "Jack Chambers (1931-1978)," by Malcolm Quantrill; "An Interview with Pierre Soulages," by Michael Peppiatt; "Endetrien Avec Pierre Soulages," by Michael Peppiatt; "London Letter," by Edward Lucie-Smith; "The Age of Spirituality," reviewed by Sir Ellis Waterhouse; "Richard Krautheimer's Rome," reviewed by Sir Ellis Waterhouse; and "Robert Klein's Writings on Art," reviewed by Jaynie Anderson. ... [details]
Book version of an On-Stage Radio & Picture Collaboration between Ira Glass and Chris Ware, with additional contributions by Tim Samuelson, Cultural Historian of the city of Chicago. Introduction by Chris Ware. ... [details]
Catalogue raisonné of Claes Oldenburgs multiples from 1964 - 1990. Foreword by Arthur Solway, introduction by Thomas Lawson, texts by Claes Oldenburg. Catalogue raisonné by David Platzker. Catalogue raisonné provides a complete listing of all multiples (works in editions of 26 and greater) created by Claes Oldenburg between 1964 and 1990. ... [details]
Monograph on Michael Heizer's monumental land art project "Double Negative." Foreword by Richard Koshalek and Kerry Brougher. Essay by Mark C. Taylor. Includes selected bibliography. "Created with bulldozer and dynamite in 1969 in the vast expanse of the Nevada desert, Michael Heizer's Double Negative was one of the first and remains among the most influential of the monumental 'earthworks' sculptures in and of the land. ... [details]
A history and survey of sound art by Alan Licht. Foreword by Jim O'Rourke. Artists include Harry Bertoia, François Baschet, Bernard Baschet, Jean Tinguely, Michael Snow, Alvin Lucier, Phill Niblock, Paul Panhuysen, Joe Jones, La Monte Young, Yasunao Tone, Hermann Nitsch, Bernhard Leitner, Annea Lockwood, Rolf Julius, Max Neuhaus, Akio Suzuki, Terry Fox, Maryanne Amacher, Charlemagne Palestine, Bill Fontana, Christina Kubisch, Brian Eno, Trimpin, Mike Kelley, Christian Marclay, Carl Michael von Hausswolff, Janet Cardiff, Michael J. ... [details]
