April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
![Boxcar : A Magazine of the Arts [aka : Box Car]](/objects/images/s39526.jpg "Boxcar : A Magazine of the Arts [aka : Box Car]")
Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. ... [details]
![Boxcar : A Magazine of the Arts [aka : Box Car]](/objects/images/s7017.jpg "Boxcar : A Magazine of the Arts [aka : Box Car]")
Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. ... [details]
Compendium of documentation and artist's projects by / about Vito Acconci, Terry Atkinson, Art & Language, David Bainbridge, John Baldessari, Robert Barry, Frederick Barthelme, Gregory Battcock, Bernhard & Hilla Becherr, Mel Bochner, Daniel Buren, Victor Burgin, Donald Burgy, Ian Burn, Mel Ramsden, Rosemarie Castoro, Jan Dibbets, Dan Graham, Hans Haacke, Douglas Huebler, Stephen James Kaltenbach, On Kawara, Alain Kirili, Joseph Kosuth, Christine Kozlov, Sol LeWitt, Mario Merz, Robert Morris, Bruce Nauman, Iain Baxter [N. ... [details]
May 1982 issue of Artforum, edited by Ingrid Sischy. Contents: "Man Ray's Early Paintings 1913-1916: Theory and Practice in the Art of Two Dimensions," by Francis Naumann; "Pat Steir and the Science of the Admirable," by Ted Castle; "The Candidate: Photographs by Pedro Meyer"; "Portraits: Necrophilia, Mon Amour," by Joseph Kosuth; "Portraits: Section 2," by Lawrence Weiner; "Portraits: Impassioned with Some Song We," by Kathy Acker; "Portraits of Joseph Kosuth, Lawrence Weiner, and Kathy Acker," by Robert Mapplethorpe; "The Sounds of Violence: Max Neuhaus' Siren Project," by Nancy Princenthal; "Sabotage or Trophy? Advance or Retreat?" by Douglas Huebler; "Books: Clive Phillpot on 'Real Lush,'" by Clive Phillpot; "Reviews," by Richard Flood, Kate Linker, Joan Casademont, Colin Westerbeck, Donald Kuspit, Barbara Kruger, Thomas Lawson, Jamey Gambrell, Judith Russi Kirshner, Richard Armstrong, Stuart Morgan, Xavier Girard, and Annelie Pohlen. ... [details]
Exhibition catalogue for show held in five venues: YM / YWHA, Philadelphia, March 13 - 31, 1968 ; Contemporary Arts Center, Cincinnati, April 25 - May 19 ; Lakeview Center, Peoria, Illinois, June 7 - 28 ; University Art Museum, Berkeley, January 13 - February 16, 1969 ; Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, February 25 - March 18, 1969. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
Issue number three (of six issues published) of "It Is : A Magazine for Abstract Art," published between 1958 and 1965. Edited by P.G. Pavia. Contents include: "A Little Room for Feeling," by Hubert Crehan; "Face Front," by Sidney Geist; "Abstraction in Poetry," by Allen Ginsberg; "Editor of a Hearsay Panel," by Elaine de Kooning; "Thoughts on the Dance," by Merle Marsicano; "Drawing," by Mercedes Matter; "Spontaneity," by George McNeil; "Manifesto-In-Progress III," by P. ... [details]
11-volume boxed set of DVDs of new videoworks commissioned and produced by Bick Productions (Ilene Kurtz Kretzschmar and Caroline Bourgeois) and The New Museum of Contemporary Art, published in conjunction with show held at The New Museum of Contemporary Art, New York, February 27 – April 11, 2004, and presented as "The first commercially available anthology of the moving image in contemporary art. ... [details]
