Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Exhibition catalogue published in conjunction with show held July 6 - September 8, 1974. Artists include Ivor Abrahams, Vito Acconci, Richard Alpert, Eleanor Antin, Robert Arn, David Attwood, Giovanni Anselmo, Shusaku Arakawa, Art and Language, David Askevold, Alice Aycock, Michael Badura, John Baldessari, Robert Barry, Lothar Baumgarten, Mel Bochner, Claus Böhmler, Christian Boltanski, Mark Boyle, Heinz Breloh, Marcel Broodthaers, Daniel Buren, Victor Burgin, Peter Campus, Giuseppi Chiari, Chuck Close, Tony Conrad, Claudio Costa, Norman Daly, Hanne Darboven, Douglas Davis, Ger Dekkers, Agnes Denes, Antonio Dias, Jan Dibbets, Braco Dimitrijevic, David Dye, Gill Eatherly, Heinz Emigholz, Valie Export, Murray Favro, Hans-Peter Feldmann, Simone Forti, Hollis Framton, Hamish Fulton, Franz Gertsch, Jon Gibson, Gilbert and George, Frank Gillette, Phil Glass, Dan Graham, Nancy Graves, Newton Harrison, Michael Hayden, Erwin Heerich, Birgit und Wilhelm Hein, Rebecca Horn, Douglas Huebler, Taka Iimura, Michel und Ourgan Jaffrennou, Alain Clerc Jaffrennou, Joan Jonas, Allen Kaprow, On Kawara, Josef Kosuth, Kurt Kren, David Lamelas, George Landow, Richard Landry, Nikolaus Lang, Jean Le Gac, Malcolm Le Grice, Les Levine, Richard McLean, Mario Merz, Maurizio Mochetti, Charlotte Moorman, Malcolm Morley, Bruce Nauman, Werner Nekes, Wolfgang Nestler, Ansgar Nierhoff, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, Giulio Paolini, A. ... [details]
Collection of nude photographs of women by James Baes, Peter Gert, Helmut Newton, Garry Gross, William Jolitz, Stephen Anderson, Ron Mesaros, Dick Zimmerman, Antonin Kratochvil, Christian Vogt, Guido Mangold, Jeanloup Sieff, Keeling/Robert. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
June 8, 1992 issue of Newsweek, edited by Maynard Parker. Contents include: "Periscope," with bureau reports by Ned Zeman and Lucy Howard; "Let the Walls Down," by Stephen Langfur; "Letters;" "Perspectives;" "Whose Values," by Joe Klein, with artwork by Barbara Kruger; "Playing on the 'V Word,'" by Howard Fineman; "First Lady Culture Clash," by Eleanor Clift; "Values in the Classroom," by Eloise Salholz with Tony Clifton in New York, Patricia King in San Francisco, Karen Springen in Chicago, Howard Manly in Atlanta and Debra Rosenberg in Boston; "A Mother's Guiding Message," Marian Wright Edelman interviewed by Eleanor Clift; "Why the Old Media's Losing Control," by Jonathan Alter; "'You in Congress, Listen Up': Sounding the alarm against those who think the country is only the sum of its special interests," by David H. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
