Artist's book / exhibition catalogue published in conjunction with show held January 13 - March 6, 2005. Essays by John Miller. Includes biography, bibliography, and colophon. Additionally includes slipped-in text by Claudia Beck. [details]
Artist's book by Christopher Williams as first English-language translation of Franz Xaver Kroetz's playscript "Inklusive," written in 1971 as part one of "Trilogie Munchener Lebens," first broadcast on radio on February 24, 1972. ... [details]
Issue edited by Bice Curiger. Essays "Photographs By Wols," by Jan Thorn-Prikker; "Wacky Molière Lines: A Listener's Guide To Ed-Werd Rew-Shay," by Dave Hickey; "Standard Bullshit," by Dennis Hopper; "Edward Ruscha: A Distant World," by Alain Cueff; "The Mnemonic Book: Ed Ruscha's Fugitive Publications," by John Miller; "Against Type: The Silhouette Paintings Of Edward Ruscha," by Christopher Knight; "Tony Cragg: Darking Light," by Lynne Cooke; "'I Hate To Think' The New Paintings Of Julian Schnabel," by Brooks Adams; "Les Infos Du Paradis: Parkett Inquiry, The Artist As A Model Sufferer?," by unattributed artists; "Cumulus From America," by Lucio Pozzi; "Cumulus Aus Europa," by Bernard Blistène; "Balkon: Sigmar Polkes Thermosensible Wandmalerei," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Issue edited by Bice Curiger. Essays "Penis Plenty or Phallic Lack: Exit Mister Punch," by Marina Warner; "On Dennis Oppenheim," by G. Roger Denson; "Provocation and Poetic Enigma," by Véronique Bacchetta; "As Objects of," by Barrett Watten; "How feminist are Rosemarie Trockel's objects?," by Anne M. ... [details]
Issue edited by Bice Curiger. Essays "On Asta Gröting," by Gudrun Indoen; "Gary Hill: 'Who am I but a figure of speech?'," by Lynne Cooke; "A Conversation with Ilya Kabakov: 'With Russia on your Back,'" by Boris Groys; "The Architect of Emptiness," by Robert Storr; "On Lies and Other Truths," by Jan Thorn-Prikker; "Kabakov's Twinkle," by Claudia Jolles; "Bad Jokes," by Edmund White; "To Know, Know, Know Him," by Susan Tallman; "Richard Prince, Realist," by Daniela Salvioni; "Red Wings: Concerning Richard Prince's 'Spiritual America,'" by Kathy Acker; "Abstract Monsters," by Patrick McGrath; "Les Infos Du Paradis," by Jo Anna Isaak; "Cumulus From America," by Hunter Drohojowska; "Cumulus Aus Europa," by Eleonora Louis and Christoph Geissmar; "Balkon," by Edward Ball. ... [details]
Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
