Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
First issue of "View: The Modern Magazine," a special issue on Marcel Duchamp published in 1945. Edited by Charles Henri Ford. Articles include: "Flag of Ecstasy," by Charles Henri Ford; "The Point of View: Testimony," and "Lighthouse of the Bride," by Andre Breton; "Marcel Duchamp in the Arensberg Collection," by James Thrall Soby; "Magic Circles," by Gabrielle Buffet; "Rrose Selavy (1921-23)," by Robert Desnos; "Marcel Duchamp, Anti-Artist," by Harriet and Sidney Janis; "Cheat to Cheat," by Nicolas Calas; "Les Larves D'Imagie, D'Henri robert Marcel Duchamp," by Frederick J. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. ... [details]
Folded exhibition brochure published in conjunction with show held October 25, 1969 - January 4, 1970. Text by Ray Perotti. Artists and composers included: Francois and Bernard Baschet, Suzanne Benton, Harry Bertoia, Enrique Castro-Cid, Frank Elliott, John Harris, Jon Hassell, Howard Jones, Frederick Kiesler, Ernst Lurker, Rheinhold Pieper Marxhausen, Homer E. ... [details]
Exhibition catalogue published in conjunction with show held November 20, 1979 - January 27, 1980. Essay by Robert Rosenblum placing Warhol in context with society painters of the 18th and 19th century. ... [details]
Exhibition catalogue published in conjunction with show held February 7 - March 6, 1976. Introduction by SJ [Sidney Janis]. Artists include Berenice Abbott, Robert Adelman, Diane Arbus, R. Ardos, Richard Avedon, Cecil Beaton, Charles Bouchard, Constantin Brancusi, Bill Brandt, Brassaï, Braun & Cie, Elisa Breton, Dan Budnick, Richard Burkhardt, René Burri, Cornell Capa, Robert Capa, Etienne Carjat, Henri Cartier-Bresson, Imogen Cunningham, Edgar Degas, Dena, Robert Descharnes, Pepe Diniz, Robert Doisneau, David Douglas Duncan, Frederick H. ... [details]
Exhibition catalogue published in conjunction with show held at the Los Angeles County Museum of Art, April 28 - June 25, 1967; and the Philadelphia Museum of Art, September 15 - October 29, 1967. Text by Maurice Tuchman, Lawrence Alloway, Wayne V. ... [details]
Periodical on political art. Edited by Stuart Garber. Essays "State of Mind/State of the Union, Introduction and Listing"; "SM/U Working Conditions:...What Next?" by Jerry Kearns and Lucy R. Lippard; "SM/U Exhibitions: Wrestling with the Darkness," by Stuart Garber; "SM/U Performances I: A Dose of Cold Reality," by Jim Traub: "SM/U Imagegrams from the PADD ARCHIVES"; "SM/U Performances II: To Compare Apples and Oranges. ... [details]