April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. ... [details]
Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. ... [details]
Issue edited by Bice Curiger. Essays "Bush Natural," by Marina Warner; "Controlled Disorder - John M Armleder," by Claude Ritschard; "The Power Of Intimacy," by Josef Helfenstein; "'I Am A Woman With No Secrets' - Statements By Louise Bourgeois," by Christiane Meyer-Thoss; "Pretty As A Picture: Louise Bourgeois' Fillette," by Mignon Nixon; "Louise Bourgeois' Défi," by Manuel J. ... [details]
Issue no. 3 of X-X-X-Fruit, the Diaries issue. Introduction by Anne-Christine d'Adesky. Artists include Nan Goldin, Robert Mapplethorpe, Ann Rower, Dodie Bellamy, George Jochnowitz, Bob Flanagan, Glenn Belverio, Chris Kraus, Linda Yablonsky, Kathe Izzo, CB Sundance, Anabel Watson, Mary Jane Sullivan, Rhoda & Mark Berenson, Jeff McMahon, Gregg Bordowitz, Klaus Kertess, Billy Sullivan, Eric Hanson, Stephen Barker, David Armstrong, Stephen Andrews, Corey A. ... [details]
Exhibition catalogue published in conjunction with shows held in 70 different New York City galleries, the sales of which benefited the American Foundation for AIDS Research. Text by Robert Rosenblum and Matilde Krim, Ph. ... [details]
Exhibition catalogue published in conjunction with show held June 3 - July 28, 2007. Edited by Alex Waterman. Contributors include: Alex Waterman, Robert Ashley, J.S. Bach, Anner Bylsma, Bruce Andrews, John Law, Charles Curtis, Eliane Radigue, Christian Wolff, The Brothers Grimm, Herbert Read, Frances Stark, James Saunder, Cornelius Cardew, Ludwig Wittgenstein, Will Holder, Alvin Lucier, and Chris Mann. ... [details]
Fall 1979 issue of "Sun & Moon" a quarterly of literature and art edited by Howard Fox and Douglas Messerli. Contents include: "Voyage to Jericho" and "Domino," by Bill Berkson; "Sample Textures" and "Air Peel," by Peter Frank; "Ein Traum," by Jorge Luis Borges (translated by Norman Thomas di Giovanni); "Finders, Losers: Frank Stanford's Song of the South," by Lorenzo Thomas; "The Angel of Death" and "Freedom, Revolt, and Love," by. ... [details]
Book of critical texts edited by Daniel McClean and Karsten Schubert. "For artists, images are indeed 'dear' in both senses of the word: they are cherished, and also valuable. This indispensable compendium from the superb British publisher collects essays by international experts on many vital issues related to the ownership of art – who does it belong to, who can use it, what value does it have. ... [details]
Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. ... [details]