"Open Hearing" is the report from the Art Workers Coalition hearing on April 10, 1969 printed in order to bring each artists' opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]
An updated edition of this critical anthology of early writings on Minimal and Conceptual Art, originally published in 1968, with a new introduction by Anne M. Wagner. The original anthology was edited by Gregory Battcock, with early writings on Minimal and Conceptual Art. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art edited by Gregory Battcock. Essays "Systemic Painting," by Lawrence Alloway; "Sculpture as Architecture: New York Letter, 1966-67," by Michael Benedikt; "Serial Art, Systems, Solipsism," by Mel Bochner; "The Razed Sites of Carl Andre," by David Bourdon; "Subject Matter in the Work of Barnett Newman," by Nicolas Calas; "Art and Objecthood," by Michael Fried; "Questions to Stella and Judd," by Bruce Glaser; "Two Exhibitions," by E. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]
Folded program / poster for "One Evening of Theater Pieces," held at Musart Theatre, Los Angeles, August 30, 1968. Theater pieces by Eric Orr, Ruth Saturensky, Dick Kilgroe, Barbara Smith, Jerrold Burchman, Sharon Burchman. ... [details]
Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Contains Fried's "Art and Objecthood," Morris' "Notes on Sculpture, Part 3," Rose on Claes Oldenburg, Smithson's essay "Towards the Development of an Air Terminal Site," and LeWitt's essay "Paragraphs on Conceptual Art," as well as a letter to the editor by Andre. ... [details]
Exhibition catalogue published in conjunction with show held at the Los Angeles County Museum of Art, April 28 - June 25, 1967; and the Philadelphia Museum of Art, September 15 - October 29, 1967. Text by Maurice Tuchman, Lawrence Alloway, Wayne V. ... [details]
Flyer / poster published in conjunction with an installation by Barbara Rubin which included a series of screenings and performances by invited artists, held in New York City, February 18 - March 2, [1967]. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
