Fall 1987 issue of JOURNAL. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors. ... [details]
Incomplete twenty-one issue set of the feminist arts periodical Women Artists Newsletter, edited by Cynthia Navaretta. Issues include Volume 1, Numbers 1-5 and 9; Volume 2, Numbers 5-10; Volume 3, Numbers 1-3, and 5-10, all published between April 1975 and April 1978. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World: Arthur C. Danto on Haruspicy," by Arthur C. Danto; "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "Slant: Manohla Dargis on the Deadman," by Manohla Dargis; "Museum Piece: A Project for Artforum," by William Anthony; "The Cave: Marco Giusti on Federico Fellini," by Federico Fellini; "Troubleshooters: Stuart Morgan on English Drag," by Stuart Morgan; "Curies' Children: Vilém Flusser on Future Architecture," by Vilém Flusser; "Left-Right: A Project for Artforum," by Judy Pfaff; "Requiem for the Degas of the B-Boys: Keith Haring," by Robert Farris Thompson; "Light in Geometry: A Project for Artforum," by Dorothea Rockburne; "Fausto Melotti, The Enchanted Lyricist," by Jole de Sanna; "The Weather is Here, Wish you Were Beautiful," by John Miller; "Invocations of The Surge Protector: Doug Hall," by Bill Berkson; "Heads: A Project for Artforum," by Jeanne Dunning; "Syncopated Thriller: Dennis Potter's Singing Detective," by Therese Lichtenstein; "Joyce Kozloss's Crimes of Passion," by Peggy Phelan; "Modernism's Many Lives: David Diao," by Bruce Ferguson. ... [details]
Comprehensive survey of American painting in the twentieth century. Text by Barbara Rose. Includes essays "Introduction : The Polarities of American Art," "The Armory Show and Its Aftermath," "The Crisis of the Thirties," "The New York School," "The Sixties," "The Seventies : American Art Comes of Age," "Images of the Eighties. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "The Arc of a diver - Judy Pfaff," by John Yau; "Vienna and Her Sisters, A Parable, with Strings," by Lisa Liebmann; "The Art of Filming Painting: Derek Jarman and Caravaggio, Peter Greenaway and Jan Vermeer, Paul Leduc and Frida Kahlo," by Wolfram Schutte; "Taking Liberty with Symbols," by Herbert Muschamp; "The Tourist Industry's Dramamine Against Terrorism: Seeing the World Through Travel Ads," by Glenn O'Brien; "The Big Fight. ... [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "[Thump Thump]," by Richard Nonas; "Picasso's Absinth Glasses: Six Drinks to the End of an Era," by Brooks Adams; "Spero's Apocalypse," by Donald B. Kuspit; "The Expulsion from the Garden: Environmental Sculpture at the Winter Olympics," by Kay Larson; "Michael Asher: Recent Work," by Anne Rorimer; "The Lightning Field," by Walter De Maria; "Progress--Discontinuous," by Regina Cornwell; "Perfecting the Imperfect: Noguchi's Personal Style," by Margaret Sheffield; "Books: Dore Ashton's 'A Fable of Modern Art'," by Kate Linker. ... [details]
November 1979 issue of Artforum, edited by Joseph Masheck. Contents include: "Sean Scully's Absolute Paintings," by Sam Hunter; "Joseph Glasco: Painting Under Construction," by Vered Lieb; "Jene Highstein: A Full Roundness," by Ted Castle; "Nothing/Not Nothing/Something," by Joseph Masheck; "Ideas and Earth," by David Shapiro; "Jackie Ferrara's Il-lusions," by Kate Linker; "A Tournament of Rose's," by Hal Foster; "Books: 'The Decorative Designs of Frank Lloyd Wright," by Alice van Buren. ... [details]