Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. ... [details]
Volume 1 of a catalogue raisonné of the work of artists (last names beginning in A - I) held in the Collection of Contemporary Art Fundación "la Caixa," Barcelona. Catalogue concept and essay by Maria de Corral, director. ... [details]
Issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski ; Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
A tabloid style artists' project based on notions of exchange between Huebler and fifty artists. Text from cover: "50 signed original copies of this statement, (priced at $150 each), will constitute the only from of this piece for an indeterminate period of time. ... [details]
Faux periodical / artist''s publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Exhibition catalogue published in conjunction with show held July 2 - September 20, 1970. Curated, edited and with a brief text by Kynaston L. McShine. Dealers tend to claim that "first edition" copies of catalogue have one or more green foredges on one side of page-edges, stating thus there was a "second printing" with unprinted page-edges. ... [details]
Single sided printer's proof of an alternate design for the cover of the exhibition catalogue for "Information," curated by Kynaston L. McShine and published in conjunction with show held at the Museum of Modern Art, New York, July 2 - September 20, 1970. ... [details]
Exhibition catalogue, vinyl record and Audio CD published in conjunction with show held at Twentieth Century Women's Club, February 14 - 21, 1998 and at Ellen Birrell's Studio, Eagle Rock, California, February 22 - March 17, 1998. ... [details]