Comic book featuring "Untitled Page," by Robert Williams; "Hocus Pocus," by Victor Moscoso; "Joe Blow," by R. Crumb; "A Ball in the Bung Hole," by S. Clay Wilson; "The Supreme Constellation of Dormasintoria," by Robert Williams; "Wonder Wart-Hog, the Hog of Steel," by Gilbert Shelton; "Untitled page," by S. ... [details]
Exhibition catalogue published in conjunction with show held October 15, 1995 - February 4, 1996. Texts by Ann Goldstein and Anne Rorimer, Lucy R. Lippard, Stephen Melville, Jeff Wall, Susan L. Jenkins. ... [details]
Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Spanish language edition of an essential source book, "Six Years : The Dematerialization of the Art Object from 1966 to 1972," compiling the documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. ... [details]
Exhibition catalogue / monograph published in conjunction with show held at Cabinet Gallery, London, October 17 - December 23, 2011; & Christophe Daviet-Thery Livres et éditions d'artistes, Paris, October 27 - December 23, 2011. ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
Compendium of texts on New Music. Edited by Gregory Battcock. Essays "Introduction: In Search of the Avant-Garde," by Gregory Battcock; "Musical Cosmology," by Benjamin Boretz; "Fluxus Music," by Peter Frank; "Boredom and Danger," by Dick Higgins; "Notes on New Music," by Tom Johnson; "Definitions of Popular Music: Recycled," by Gaynor G. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]
Compendium of materials chosen by Martha Wilson which have influenced her career and / or were milestones in it. Foreword by Kate Fowle. Introduction by Moira Roth. Texts by Martha Wilson, Laurence Sterne, Gertrude Stein, Simone de Beauvoir, Ellen Berscheid, Elaine Walster, R. ... [details]