Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976, featuring site-specific installations in the rooms of the then largely unrenovated building. The publication includes brief text by participating artists; executive director, Alanna Heiss; and program director, Linda Blumberg; with installation images and images of artists installing their works. ... [details]
Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. ... [details]
Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. ... [details]
Exhibition catalogue published in conjunction with show held at Contemporary Arts Museum, Houston, TX, November 17, 2012 - February 15, 2013. Traveled to Grey Art Gallery at New York University, New York, NY, September 10 - December 7, 2013 and The Studio Museum in Harlem, New York, NY November 14, 2013 - March 9, 2014; and Walker Art Center, Minneapolis, MN, July 24, 2014 - January 11, 2015. ... [details]
Exhibition catalogue published in conjunction with show held July 6 - September 8, 1974. Artists include Ivor Abrahams, Vito Acconci, Richard Alpert, Eleanor Antin, Robert Arn, David Attwood, Giovanni Anselmo, Shusaku Arakawa, Art and Language, David Askevold, Alice Aycock, Michael Badura, John Baldessari, Robert Barry, Lothar Baumgarten, Mel Bochner, Claus Böhmler, Christian Boltanski, Mark Boyle, Heinz Breloh, Marcel Broodthaers, Daniel Buren, Victor Burgin, Peter Campus, Giuseppi Chiari, Chuck Close, Tony Conrad, Claudio Costa, Norman Daly, Hanne Darboven, Douglas Davis, Ger Dekkers, Agnes Denes, Antonio Dias, Jan Dibbets, Braco Dimitrijevic, David Dye, Gill Eatherly, Heinz Emigholz, Valie Export, Murray Favro, Hans-Peter Feldmann, Simone Forti, Hollis Framton, Hamish Fulton, Franz Gertsch, Jon Gibson, Gilbert and George, Frank Gillette, Phil Glass, Dan Graham, Nancy Graves, Newton Harrison, Michael Hayden, Erwin Heerich, Birgit und Wilhelm Hein, Rebecca Horn, Douglas Huebler, Taka Iimura, Michel und Ourgan Jaffrennou, Alain Clerc Jaffrennou, Joan Jonas, Allen Kaprow, On Kawara, Josef Kosuth, Kurt Kren, David Lamelas, George Landow, Richard Landry, Nikolaus Lang, Jean Le Gac, Malcolm Le Grice, Les Levine, Richard McLean, Mario Merz, Maurizio Mochetti, Charlotte Moorman, Malcolm Morley, Bruce Nauman, Werner Nekes, Wolfgang Nestler, Ansgar Nierhoff, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, Giulio Paolini, A. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
