Exhibition announcement / multiple published in conjunction with show held at Ubu Gallery, New York, October 28 - December 12, 1995. Exhibition information is printed in black ink on a clear plastic bag. ... [details]
Exhibition announcement / multiple published in conjunction with show held at Ubu Gallery, New York, October 28 - December 12, 1995. Exhibition information is printed in black ink on a clear plastic bag. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
Press Release for Henry Rollins publications. Features excerpts from "Two Thirteen Sixty One," and "End to End." Also includes two articles by Henry Rollins published in Spin Magazine: "Thank Heaven for 7-11," and "Desperately Seeking Something. ... [details]
Flyer / announcement published in conjunction with "A Concert of New Music" held March 14, 1960. The night of performances included "Sound Piece 1958" by Allan Kaprow; "Card Piece for Voice" by George Brecht; "Telephone Music" by Robert Rauschenberg; "Symphonie Pastorale" by Richard Maxfield; "Suite for Toy Piano" by John Cage; "Bibbe's Tao" by Al Hansen; "Cough Music" by Maxfield; "Music for a While" by John Herbert McDowell; "Imaginary Landscape No. ... [details]
Single page program for "A Concert of New Music" held March 14, 1960. Features "Sound Piece 1958" by Allan Kaprow; "Card Piece for Voice" by George Brecht; "Telephone Music" by Robert Rauschenberg; "A sequence of stuttering records from the Ray Johnson / Dorothy Podber Collection"; "Symphonie Pastorale" by Richard Maxfield; "Suite for Toy Piano" by John John Cage; "Bibbe's Tao" by Al Hansen; "Cough Music" by Maxfield; "Music for a While" by John Herbert McDowell; "Imaginary Landscape No. ... [details]
Print-on-demand encyclopedia of catalytic converters listing their values on the black market, organized by make and model of car. Clouded by an air of illegality, artist Cameron Rowland took this book and reproduced it nearly exactly and reframed it as an artist's book which he convinced the prestigious publisher Walther König to assign an ISBN, and then distributed it almost solely to libraries without ever giving copies to the named publisher (König). ... [details]
Arists's book / critical theory investigation of two decades of contemporary visual bibliographies by Janelle Rebel. Includes index and author biography. "Bibliographic Performances & Surrogate Readings delves into the imaginative realm of books and libraries and the interpretive structures of subject bibliographies. ... [details]