Exhibition catalogue published in conjunction with show organized by James Corcoran Gallery in cooperation with Shoshana Wayne Gallery and Pence Gallery, Santa Monica, California. "The First Generation, 1940-1962," held at James Corcoran Gallery; "The Second Generation: The Narrative, 1957 - 1987," held at Shoshana Wayne Gallery; and "The Second Generation: Form and Idea, 1960 - 1987," held at Pence Gallery. ... [details]
"This publication reunites Mike Kelley's major interviews with artists and cultural figures such as AA Bronson, Larry Clark, Kim Gordon, Thurston Moore, Jutta Koether, Harmony Korine, Tony Oursler, Richard Prince, Jim Shaw, Michael Smith, Jeffrey Sconce, and John Waters, outlining, in the same manner as his critical essays, an artistic genealogy that draws its references from American popular culture, scientific and historical research, and the inhibitions of Western society. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Cohen: Recognized Moments," by Carol Squiers; "The Substance of Paper," by Steven Kasher; "Background of a Minimalist: Carl Andre," by Phyllis Tuchman; "The Expressionist Cézanne," by Donald E. ... [details]
Exhibition catalogue published in conjunction with show held March 17 - July 28, 1996. Traveled September 21, 1996 - January 5, 1997, Wexner Center for the Arts, Columbus, Ohio; June - September 1997, Palazzo delle Esposizioni, Rome, Italy; October 11, 1997 - January 21, 1998, Museum of Contemporary Art Chicago, Illinois. ... [details]
Exhibition catalogue published in conjunction with show held November 29 - December 20, 1975. Organized and with an essay by Jeffrey Deitch. The pages in the catalogue were prepared by the artists themselves or according to instructions given to Deitch by the artists. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Forty-nine postcards (one for each artist + title card), laid in cardboard box. Includes images by Vito Acconci, Mac Adams, Eleanor Antin, John Jack Baylin, Jeff Berner, G.A. Cavellini, James Collins, Diego Cortez and Katharina Sieverding, Coum Transmissions, Robin Lee Crutchfield, Robert Cumming, Dadaland, Peter Daglish, Lowell Darling, Jimmy de Sana, Mario Diacono, Robert Filliou, Hervé Fischer, Charles Henri Ford, General Idea, Geoffrey Hendricks, Dick Higgins, Davi Det Hompson, Victor Hugo, Peter Hujar, Ray Johnson, Allen Jones, Marcel Just, Alison Knowles, Richard Kostelanetz, Les Levine, Glenn Lewis, Sol LeWitt, Robert Mapplethorpe, Gordon Matta-Clark, Eric Metcalfe, Michael Morris, Hermann Nitsch, Footsy Nutzle, Tom Phillips, Yvonne Rainer, Clive Robertson, Edward Ruscha, Willoughby Sharp, Vincent Trasov a. ... [details]
Contributions by Oren Slor, Matthew Higgs, Paul Thek, Raymond Pettibon, Sam Gordon, Rene Santos, Lily van der Stokker, B. Wurtz, Jesse Bransford, Ernst Toch, David Moreno, Kay Rosen, Ricci Albenda, David Robbins, General Idea, Anthony Campuzano, Chris Burden, David Malek, Larry Clark, Alghiero E. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]