Anthology of records by artists from 1958 - 1990 organized and with an essay by Giorgio Maffei. Artists / bands include: Marina Abramovic, Yaakov Agam (Jacob Gipstein), Albrecht D., Lucio Amelio, Cy Twombly, Robert Mapplethorpe, Charles Amirkhanian, Laurie Anderson, Karel Appel, Art & Language, The Red Crayola, Richard Artschwager, Robert Ashley, Attersee, Gerhard Rühm, Vittore Baroni, Robert Barry, François Baschet, Bernard Baschet, Jacques Lasry, Georg Baselitz, Cathy Berberian, Harry Bertoia, Marco Bertoni, Enrico Serotti, Joseph Beuys, Henning Christiansen, Nam June Paik, Bill Bissett, Eric Bogosian, Claus Böhmler, Christian Boltanski, Jean-François Bory, Glenn Branca, Jean-Louis Brau, Gil J. ... [details]
July 22-28, 1981 issue of SoHo News. Issue edited by John Leese. Cover stories include: S.W.A.T. Cools Out the Hamptons," by Doug Ireland; "De Palma Loves Women;" "Cinderella Simplex;" "City Plans for Sinner. ... [details]
Large-scale monograph documenting the first 25 years of exhibitions at Konrad Fischer Gallery held from October 1967 - October 1992. Text by Carl Andre. Includes a complete list of exhibitions with exhibition dates and full page installation images. ... [details]
Issue number 3 of the arts periodical ZG edited by Rosetta Brooks. Contents include: "Off White/Almost Black," Alan Joyce in conversation with James Chance; "Sighs and Whispers in Bloomingdale's," Roberta Brooks on photographer Guy Bourdin; "Life in Space," Interview with Jack Goldstein by Michael Newman on the work of Jack Goldstein; "'Noise' Music," by Gary Zimmerman; an interview with Glenn Branca; "Drastic Classicism," by Michael Newman; an interview with Rhys Chatham; "War Picture," by Richard Prince; "Urban Kisses/Slum Hisses," by Edit deAk; "We must embrace our joys and sorrows," by Tom Lawson; "Altered Vision?" by Jonathon Miles; and "Video Music Inc. ... [details]
Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. ... [details]
Exhibition catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition's curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. ... [details]
Two volume exhibition catalogue published in conjunction with two-part show held March 14 – May 18, 2014 and May 25 – August 3. "Other Primary Structures revisited the premise of and built upon the Museum's seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. ... [details]
Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E. ... [details]
"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. ... [details]