Exhibition catalogue published in conjunction with show held at the Institute of Contemporary Art, Moscow, August, 1993; the World Financial Center, New York, Summer, 1994; and other locations, unlisted. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Anthology of critical essays by André Breton. Artists, philosophers, and other figures mentioned in the text include André Breton, Corneille Agrippa, Guillaume Apollinaire, Apulee, Louis Aragon, Alexander Archipenko, Hans Arp, Gaston Bachelard, Honoré de Balzac, Hans Bellmer, Bleuler, Umberto Boccioni, Jérôme Bosch, Constantin Brancusi, Georges Braque, Victor Brauner, Bettina Brentano, Jean-Paul Brisset, Charles de Brosses, Robert Browning, Giordano Bruno, Alexander Calder, Leonora Carrington, Blaise Cendrars, Paul Cezanne, Marc Chagall, Giorgio de Chirico, Cimabue, Joseph Cornell, Piero di Cosimo, Georges Courteline, Charles Cros, Salvador Dali, Paul Delvaux, André Derain, Denis Diderot, Oscar Dominquez, Enrico Donati, Isidore Ducasse, Marcel Duchamp, Raymond Duchamp-Villon, Eckhardt, Albert Einstein, Paul Eluard, Max Ernst, Serge Essenine, Joachim de Flore, Théodore Flournoy, Jean Fouquet, Charles Fourier, Esteban Frances, James George Frazer, Sigmund Freud, von der Gabelentz, Alberto Giacometti, Giotto, Goethe, Arshile Gorky, Mathias Grunewald, Gutenberg, David Hare, S. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: Social Realities," by Tim Griffin; "Books: Barrett Watten on Lytle Shaw's 'Frank O'Hara: The Poetics of Coterie,'" by Barrett Watten; "Film: James quandt on Alexander Sokurov's 'Alexandra,'" by James Quandt; "Film: Amy Taubin on Alexander Sokurov's 'Alexandra,'" by Amy Taubin; "Film: Sven Lütticken on Werner Herzog," by Sven Lütticken; "Sound: Damon Krukowski on Kenneth Goldsmith and UbuWeb," by Damon Krukowski; "On Site: Brian Sholis on Regional Nonprofits," by Brian Sholis; "Slant: Virginia Rutledge on Christoph Büchel and Mass MoCA," by Virginia Rutledge; "Top Ten," by Nick Mauss and Ken Okiishi; "Mirror Displacements: The Art of Zoe Leonard," by Mark Godfrey; "Music of the Spheres: Reflections on Karlheinz Stockhausen," by Robin Maconie and La Monte Young, with Irvine Arditti, Morton Subotnick, Pierre-Laurent Aimard, Maryanne Amacher, and Björk; "Jeroen de Rijke/Willem de Rooij: A Portfolio," by Pamela M. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: P. Adams Sitney on Owen Land," by P. Adams Sitney; "Film: James Quandt on Aki Kaurismäki's 'Le Havre,'" by James Quandt; "Film: Melissa Anderson on Robert Kramer's 'Milestones,'" by Melissa Anderson; "Performance: Steven Watson on 'Four Saints in Three Acts,'" by Steven Watson; "On Site: Ken Okiishi on the Leopard at des Artists," by Ken Okiishi; "Music: Rob Young on 'Home of Metal,'" by Rob Young; "Music: Derek Bermel on the Omar Souleyman Group," by Derek Bermel; "Slant: Glenn O'Brien on Right-Wing Masculinity," by Glenn O'Brien; "Archictecture: Julian Rose on 'Foreclosed: Rehousing the American Dream," by Julian Rose; "Top Ten," by Amalia Pica; "Marks of Distinction: Cy Twombly Remembered," by Rosalind E. ... [details]
September / October 1968 issue of Arts Magazine. Cover features color reproduction of work by Lucas Samaras. Edited by Joseph James Akston, with written contributions by Joseph James Akston, Nicolas Calas, Jacqueline Barnitz, Lawrence Alloway, Cindy Nemser, Charles Nagel, Gordon Brown, Roderick Young, Jeanne Siegel, Alfred Werner, Pietro Gilardi, and Noel Frackman. ... [details]
Exhibition catalogue published in conjunction with show held January 10 - March 21, 2004. Traveled May 29 - August 15, 2004, Norton Museum of Art, West Palm Beach, Florida; October 9, 2004 - January 2, 2005, The Hudson River Museum, Yonkers, New York; September 2 - October 7, 2005 McDonough Museum of Art, Youngstown State University, Ohio. ... [details]
Edited by Betsy Sussler. Essays "Constance DeJong, I.T.I.L.O.E.," by Richard Beckett, "Michael McClard, The Naked Eye," by Betsy Sussler; "Interview," by Paul Bowles; "Un Tour d'Hoizon," by Richard Armstrong; "The White Shirt," by Burt Barr; "Evening," by Barry Yourgrau; "Harry at Work, A Scenes from Harry's Story," by Michael Alfie; "My First Poem," by Peter Scheldahl; "Summer 1980," by Luc Sante; "Clinton Street," by Fred Brathwaite and Olivier Mosset; "Some Photographs and Brain," by Jane Warrick; "Is It Hemingway or Is It Memorex," by Glenn O'Brien; "The Shoestore in Caborca. ... [details]
June 1964 issue of the Fluxus newspaper "Fluxus cc V Tre." Cover advertises the Fluxus Symphony Orchestra at Carnegie Hall on [June] 27, [1964] conducted by Kuniharu Akiyama. Performances by George Brecht, Emmett Williams, La Monte Young, James Tenney, Alison Knowles, Gyorgi Ligeti, Dick Higgins, Takehisa Kosugi, Robert Watts, Ayo, Joe Jones, Nam June Paik, Chieko Shiomi, and Philip Corner. ... [details]