March 22, 1970 issue of "Screw: The Sex Review," edited by Al Goldstein. Contents include: "Jerk-off Jungle," by Matt Davidson; "Fuck Books : All the Sex That Fits, We Print," by Dan Mouer; "Orgy at Ohrbach's," by John Francis Hunter; "Eat Your Troubles Away," by Great Ray Thompson; "Global Garbage," by Jim Buckley; "Fucking without Fear : Or the Prevention of Spiro Agnew," by Diane Vanderbliss; "Homosexual Citizen : Cross My Cock and Hope to Die," by Lige and Jack; "Dirty Diversions : Commuters Run Amok in Suburbia," by Al Goldstein; "The Sex Scene," by Al Pseudonym; "Naked City," by Bob Amsel; and "Shit List," by Al Goldstein. [details]
April 20, 1970 issue of "Screw: The Sex Review," edited by Al Goldstein. Contents include: "Marriage in the 70's : The Ozzie and Harriet of the Underground," by Dan Mouer and Holly Mouer; "10 Ways to Put off Pricks Politely!" by Nori Amsel; "One Small Sniff for a Man, One Giant Lich for Great Ray!" by Great Ray; "The Sex Scene," by Dan Mouer; "Pussy Pulls Out," by Mary Phillips; "The Jockstrap and What Your Gym Coach Never Told You about It," by Dean Latimer; "Homosexual Citizen : It's a Big, Big World but I'm Just a Little Guy," by Lige and Jack; "How to Preserve a Frozen Fart," by Hank Orlecchina; "Fuck Books," by Michael Perkins; "Dirty Diversions," by Al Goldstein; "Naked City," by Bob Amsel; and "Shit List," by Al Goldstein. [details]
February 2, 1970 issue of "Screw" edited by Al Goldstein. Contents include: "Sex in the 70's," by Jim Buckley, Randy Wicker, Jack Nichols, Dan Mouer, Al Goldstein, and D.A. Latimer; "Lennon's Erotic Drawings," by Jim Buckley; "John Voight : Straight in the Saddle, a Screw Interview" by Ken Gaul; "The Peter Principle," by Mara Mills; "The Sex Scene : The Bust of Che's Cherry," by Dan Mouer; "Rock 'n Raunch," by Hank Arlecchino; "Camping Out with Aunti Butch"; "Homosexual Citizen : The Man with the Brown Thumb," by Lige and Jack; "Cupid's Quivering Cunt," by M. ... [details]
Catalog of available works from Video Data Bank. Introduction by executive director Kate Horsfield. Artists include Vito Acconci, Nancy Angelo, Candace Compton, Ant Farm, Eleanor Antin, John Baldessari, Lynda Benglis, Dara Birnbaum, Simone Forti, Hermine Freed, Frank Gillette, Nancy Holt, Taka Iimura, Joan Jonas, Paul and Marlene Kos, Shigeko Kubota, Suzanne Lacy, Richard Landry, Andy Mann, Susan Mogul, Linda Montano, Robert Morris, Antonio Muntadas, Bruce Nauman, Martha Rosler, Dan Sandin, Norie Sato, Ilene Segalove, Richard Serra, Bob Snyder, Keith Sonnier, Steina Vasulka, Woody Vasulka, William Wegman and Lawrence Weiner. ... [details]
Program published in conjunction with Eye Jazz and the Third Underground Film Festival held January, [1966]. Eye Jazz featured "Live jazz with film, projections, light machine and three-dimensional moving sets. ... [details]
Flyer published in conjunction with readings held at Ear Inn, Saturdays, January 6 - February 24, [1979]. Organized by Ted Greenwald and Charles Bernstein. Readings by Gary Lenhart, Alexandra Anderson, Annabel Levitt, Chuck Wachtel, Ted Mooney, Larry Fagin, Nick Piombino, Brian McInerney, El Friedman, Bob Rosenthal, Dick Higgins, Steve McCaffery, Barbara Guest, Ray DiPalma, Steve Carey and Tom Carey. [details]
Monograph on the photographs of Andy Warhol with text by Warhol with Bob Colacello. Edited by Bob Colacello. Art direction by Christopher Makos. Includes an index. [details]
Artist's book / exhibition catalogue published in conjunction with show held September 13 - October 27, 1997. Essay by Matthew Collings and interview with Bob Smith by Victor Mount. [details]
Small scale accordion fold artists book by Bob and Roberta Smith featuring linoleum cut silhouettes of the US states, captioned in letterpress with Bob and Roberta Smith's humorous best guesses of the locations they represent such as "Spain" and "Bedfordshire. ... [details]
"This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. ... [details]
