Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. ... [details]
Exhibition catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition's curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. ... [details]
Two volume exhibition catalogue published in conjunction with two-part show held March 14 – May 18, 2014 and May 25 – August 3. "Other Primary Structures revisited the premise of and built upon the Museum's seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. ... [details]
Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E. ... [details]
"This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. ... [details]
"Avalanche" magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator, and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Avalanche magazine was founded by Willoughby Sharp and Liza Béar shortly after they met in 1968. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]
Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, October 16 - November 11, 1984. Traveled to Ackland Art Museum, University of North Carolina, Chapel Hill, January 26 - March 3, 1985; Everhart Museum, Scranton, Pennsylvania, April 27 - June 8, 1985; Grey Art Gallery and Study Center, New York University, July 9 - August 26, 1985; and Museum of Art, Fort Lauderdale, Florida, March 5 - April 16, 1986. ... [details]
The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. ... [details]