"What the Sound Looks Like is a visual celebration of the music of the Talking Heads by over fifty international contemporary artists." -- publisher's statement. Texts by Talking Heads and Frank Olinsky. ... [details]
A collection of essays -- edited by Brian Wallis -- by Martha Rosler, Wallis, Yvonne Rainer, Rosalyn Deutsche, Alexander Kluge, Richard Plunz, Christine Benglia Bevington, Marie Annick Brown, Allan Sekula, Tony Masso, Andrew Byard, Cenen, Dan Wiley, William Price, Camilo Jose Vergara, Mel Rosenthal, Dan Graham and Robin Hurst, photographic documentation, architectural information and more, pertaining to the theme of artists' efforts to engage with and improve issues in urban development such community housing and social equality. ... [details]
Exhibition catalogue published in conjunction with show held October 21 - December 20, 1981 of the personal collection of Sol LeWitt of other artist's works. Excessively well documented, catalogue features reprints of both LeWitt's "Paragraphs on Conceptual Art" (1967) as well as his "Sentences on Conceptual Art" (1969). ... [details]
Essential source book of documentation of the Conceptual Art, Land Art, Earth Art, Arte Povera, Minimal Art, Performance Art, Video Art movements. Documents the activities, day by day, month by month, year by year of artists including Vito Acconci, Bas Jan Ader, Dennis Adrian, Carl Andre, Eleanor Antin, Keith Arnatt, Art-Language, Richard Artschwager, Michael Asher, David Askevold, John Baldessari, Robert Barry, Frederick Barthelme, N. ... [details]
A mammoth book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self critical of the failures [and limited success] of the program. ... [details]
Exhibition catalogue published in conjunction with show held January 12-March 30, 1986. Contributions by Sam Hunter, James D. Robinson, Elliot B. Barnett, George Bolge, Harry F. Gaugh, Robert C. Morgan, Richard Sarnoff, Malcolm Daniel, Karen Koehler and Kim Levin. ... [details]
A mammoth book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self critical of the failures [and limited success] of the program. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Robert Rosenblum on Tom Wesselmann," by Robert Rosenblum; "Passages: Thomas Lawson on Gretchen Bender," by Thomas Lawson; "Books: Keith Sanborn on Guy Debord," by Keith Sanborn; "Film: James Quandt on 'Cinévardaphoto,'" by James Quandt; "On Site: Carol Armstrong on the Barnes Foundation," by Carol Armstrong; "Media: Christopher Bollen on Courtroom Drawings," by Christopher Bollen; "News: Steven Henry Madoff on the Walker Art Center," by Steven Henry Madoff; "Top Ten," by Kehinde Wiley; "Please Recycle: The Art of Kelley Walker," by Tim Griffin; "Russian Front: The Moscow Biennale," by John Kelsey; "1000 Words: Spencer Finch," by Daniel Birnbaum; "Artist Curates: Personal Affects," by T. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Los Angeles, December 10, 1986 - January 10, 1988. Organized by Julia Brown Turrell, and edited by Howard Singerman. ... [details]
Exhibition announcement card published in conjunction with show held May 25 - June 22, 1968. [details]
