Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
"How did a small art college in Nova Scotia become the epicenter of art education--and to a large extent of the postmimimalist and conceptual art world itself--in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. ... [details]
The Winter 1965 issue of the Tulane Drama Review dedicated to Fluxus and performance art scene. Includes a color paper fold-out designed by George Maciunas and additional contributions by Michael Kirby, John Cage, La Monte Young, Claes Oldenburg, Robert Whitman, Jackson Mac Low, Dick Higgins, Letty Eisenhauer, Ann Halprin, Yvonne Rainer, Robert Morris, Ramon Sender, Anthony Martin, Ken Dewey, The ONCE Group, Allan Kaprow, Kelly Yeaton, Paul Stills, and Richard Schechner. [details]
Exhibition catalogue published in following show held at Office for Contemporary Art Norway, Oslo, Norway, November 8, 2008 - January 31, 2009. "''Whatever Happened to Sex in Scandinavia?'' is a reader that brings together essays, artists'' writings and works, and countercultural publications to examine the juncture of the political and the erotic during the 1960s and 70s. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]
Critical anthology of the art journal Interfunktionen. Edited by Gloria Moure. Texts by Friedrich Wolfram Heubach and Birgit Pelze. Artists include Vito Acconci, Keith Arnatt, John Baldessari, Lothar Baumgarten, Bill Beckley, Joseph Beuys, George Brecht, K. ... [details]
Exhibition catalogue published in conjunction with show held at the Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, December 15 - June 29, 2008. Essays by Achim Hochdörfer, Susanne Neuberger, Liz Kotz, Michelle Kuo, and Wilfried Kuehn. ... [details]
A collection of essays by Martha Rosler, Brian Wallis, Yvonne Rainer, Rosalyn Deutsche, Alexander Kluge, Richard Plunz, Christine Benglia Bevington, Marie Annick Brown, Allan Sekula, Tony Masso, Andrew Byard, Cenen, Dan Wiley, William Price, Camilo Jose Vergara, Mel Rosenthal, Dan Graham and Robin Hurst, photographic documentation, architectural information and more, pertaining to the theme of artist's efforts to engage with and improve issues in urban development such community housing and social equality. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]
Exhibition catalogue published in conjunction with show held July 10 - October 16, 1988. Includes writing by Giuseppe Panza di Biumo and Hendel Teicher. Artists include Yvonne Rainer, Robert Morris, Donald Judd, Hal Foster, Tony Smith, Carl Andre, Dan Flavin, and Robert Mangold. ... [details]
