Exhibition catalogue published in conjunction with show held January 12-March 30, 1986. Contributions by Sam Hunter, James D. Robinson, Elliot B. Barnett, George Bolge, Harry F. Gaugh, Robert C. Morgan, Richard Sarnoff, Malcolm Daniel, Karen Koehler and Kim Levin. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part Two: The Realm of Language," by Lawrence Alloway; "Robert Smithson, the 'Amarillo Ramp,'" by John Coplans; "The Art Comics of Ad Reinhardt," by Thomas B. ... [details]
Issue edited by John Coplans. Essays "Just Another Rectangle Painter," by Peter Plagens; "Fooling the Eye," by Alfred Frankenstein; "Robert Grosvenor's Fractured Beams," by Joseph Masheck; "The Authoritarian Personality in Modern Art," by Max Kozloff; "Cecile Abish," by Lawrence Alloway; "Standish Lawder," by John W. ... [details]
Issue edited by John Coplans. Essays "Louise Bourgeois: From the Inside Out," by Lucy R. Lippard; "Billy Al Bengston's New Paintings," by Peter Plagens; "Lawrence Weiner: Given the Context," by Susan Heinemann; "Myron Stout," by Sanford Schwartz; "Notes on William Wegman," by Maud Lavin; "Manet: A Radicalized Female Imagery," by Eunice Lipton; "Alvin Smith," by Henri Ghent; "Indecent Exposure," by Peter Plagens; "Book Review," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]
Special issue of artforum on "wonder" edited by Ida Panicelli. "As you will see, no article focuses particularly on the field of art. Instead, we asked over 200 artists to respond to the word 'wonder' by supplying us with an image, a statement, or both. ... [details]
Issue edited by Jack Bankowsky. Essays "Books: Alice Quinn on Louise Bourgeois," by Alice Quinn; "Film: Howard Hampton on Dogma 95," by Howard Hampton; "Slant: Thomas Frank on Business Lit," by Thomas Frank; "American Myths: J. ... [details]