April 1971 issue of Studio International edited by Peter Townsend. Contents include: "The artist's reserved rights transfer and sale agreement / the background," by Seth Siegelaub; "Arnolfini Gallery; 10 years in Bristol," by Jeremy Rees; "Correspondence;" "News and Notes;" "Bochner and photography," by Jonathan Benthall; "Art in Revolution," by Peter Wollen; "The development of the theory of Socialist Realism in Russia; 1917 to 1932," by Andrew Higgens; "Berlin Dada," by John Elderfield and Raoul Hausmann; "Coloured food," by Peter Kuttner; "Events," by Antoni Miralda and Dorothée Selz; "The House of the Vienna Secession movement," by Peter Hautmann and Klara Hautmann; "The shape's the thing; paintings by John Walker," by Dore Ashton; "Standpoints," by Daniel Buren; "An introduction to 'Art and Technology,'" by Maurice Tuchman; "The artist's reserved rights transfer and sale agreement;" and "Inno 70," by John Latham. [details]
Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976, featuring site-specific installations in the rooms of the then largely unrenovated building. The publication includes brief text by participating artists; executive director, Alanna Heiss; and program director, Linda Blumberg; with installation images and images of artists installing their works. ... [details]
Exhibition catalogue published in conjunction with shows held at David Zwirner, New York, NY, and Lawrence Markey, San Antonio, TX, in February- March, 2013. Includes excerpts from "Portio Minor: Suzan Frecon's Watercolors," by Sarah Eckhardt; excerpts from Ferdinando Bologna, "Early Italian Painting: Romanesque and Early Medieval Art;" a letter from Mary Benson to Grace Nicholson; and a list of plates. [details]
Exhibition catalogue published in conjunction with show held at Lawrence Markey, San Antonio, April 9 - May 21, 2010. Traveled to Paul Thiebaud Gallery, San Francisco, September 14 - October 30, 2010. ... [details]
September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. ... [details]
Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. ... [details]
Exhibition catalogue published in conjunction with show held at the Cleveland Center for Contemporary Art, Ohio, February 11 - May 1, 1994; and the Snug Harbor Cultural Center, Staten Island, New York, February 26 - June 18, 1995. ... [details]
Issue 5 of Trans> edited by Sandra Antelo-Suarez. Essays include: "Performing Citizenship: Vivo Rio Counters Urban Violence," by George Yúdice; "Country Cousins: The Relative Peripheries in Contact," by Maria Lind; "Analogies and Confrontations: A Museography Polemologic?" by Luis Enrique Pérez Oramas; "The Poetics Project: A Special CD Project for Trans>" by Mike Kelley and Tony Oursler; "Serei A?" by Tungar; "Valentina's Paintings," by José Antonio Hernández Díez; "Continuation from the Representations of Violence in Issue 3&4," Moderator Rubén Gallo; "The Necessity of Revolt," by Julia Kristeva; "Intellectuals and Memoricide," by Juan Goytisolo; "Political Pop," by Luis Camnitzer; "Facing Territory," by Dan Cameron; "Oyvind Fahlström : He Burns Himself on Fires of Nine," by Maureen Sherlock; "Rafael Viñoly or the Problematics of the Late-Capitalist Architect," by Noah Chasin; "Alex Alberro in Conversation with Liisa Roberts," by Alex Alberro; "A Thing is a Thing is a Thing, Agnaldo Farias writes about María Teresa Hincapié," by Agnaldo Farias; "Reflections on Candice Breitz 'Rorschach Series'," by Octavio Zaya; "Ann-Sofi Sidén" by Sabine Russ; "Irán do Espírito Santo," by Félipe Chaimovich; "José Gabriel Fernández: Tauromachy and Maculature," by Luis Enrique Pérez Oramas; "The Ruined Map," by Matthew Ritchie; and "Clandestine Installation II," by Roberto Obregón. ... [details]