Two volume exhibition catalogue published in conjunction with two-part show held March 14 – May 18, 2014 and May 25 – August 3. "Other Primary Structures revisited the premise of and built upon the Museum's seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. ... [details]
Issue edited by Michelle Kuo. Essays "Books: J. Hoberman on 'Mad' Magazine's Early Imitators," by J. Hoberman; "Film: Michael Wood on Grant Gee's 'Patience (After Sebald),'" by Michael Wood; "News: Elizabeth Schambelan talks with Curator Carolyn Christov-Bakargiev About Documenta 13," by Elizabeth Schambelan; "Slant: Ken Okiishi on Forrest Bess," by Ken Okiishi; "Slant: Elizabeth Mangini on Arte Povera in Naples," by Elizabeth Mangini; "Top Ten," by Adriana Lara; "Summer 2012 Exhibitions: 45 Shows Worldwide"; "Graham Bader on 'Roy Lichtenstein: A Retrospective,'" by Graham Bader; "Image of the People: Mike Kelley (1954-2012)," by Ann Goldstein, Michael Smith, Tony Oursler, Paul McCarthy, Jim Shaw, and Kim Gordon; "Magnificent Obsession: The Films of Werner Schroeter," by James Quandt; "False Front: The Art of Ming Wong," by Joan Kee; "A Room of Their Own: Three Views on the Whitney Biennial," by David Rimanelli, Amy Taubin, and David Velasco; "1000 Words: Kraftwerk," by Michelle Kuo; "After Effects: The Art of Anja Kirschner and David Panos," by Martin Herbert; "Openings: Dave Miko," by Sam Pulitzer. ... [details]
Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Issue edited by Tim Griffin. Essays "Editor's letter: New Year's Resolution," by Tim Griffin; "Passages: Christopher S. Wood on Michael Baxandall," by Christopher S. Wood; "Books: Robin Kelsey on Michael Fried's 'Why Photography Matter,'" by Robin Kelsey; "Film: Brian O'Doherty on Steve McQueen's 'Hunger,'" by Brian O'Doherty; "Media: Lynne Tillman on Barack Obama," by Lynne Tillman; "Cecelia F. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: A New Novel," by Tim Griffin; "Passages: Tony Oursler and Mike Kelley on David Askevold," by Tony Oursler and Mike Kelley; "Books: Kevin Pratt on Sanford Kwinter's 'Far from Equilibrium,'" by Kevin Pratt; "Film: James Quandt on Jacques Nolot," by James Quandt; "Film: Amy Taubin on Ken Jacobs," by Amy Taubin: "Performance: Howard Singerman on Sherrie Levine and 'The Mother of Us All,'" by Howard Singerman; "Performance: Catherine Wood on 'Our Literal Speed,'" by Catherine Wood; "Architecture: Sean Keller on the Beijing Olympics," by Sean Keller; "Architecture: Keller Easterling on Norman Foster's Crystal Island," by Keller Easterling; "On Site: Andrew Hultkrans on the Glass House Conversations," by Andrew Hultkrans; "On Site: Jessica Morgan on Between Bridges and London's Alternative Spaces," by Jessica Morgan; "On Site: Nikki Columbus on the Home Work forum in Beirut," by Nikki Columbus; "Slant: Meredith Martin on the Rococo," by Meredith Martin; "Slant: Jonathan Crary on J. ... [details]
Issue edited by Tim Griffin. Essays "Politics: Martin Herbert on Steve McQueen," by Martin Herbert; "Film: Robin Wood on Tsai Ming-liang," by Robin Wood; "Film: Amy Taubin on 'Zoo,'" by Amy Taubin; "Slant: Bruce Hainley on Richard Prince," by Bruce Hainley; "Slant: Helen Molesworth on Feminism," by Helen Molesworth; "Architecture: Kevin Pratt on 'Clip/Stamp/Fold,'" by Kevin Pratt; "Top Ten," by Chip Lord; "Summer 2007 Exhibitions: 50 Shows Worldwide"; "US News: Natalie Kampen on the New Greek and Roman Galleries at the Metropolitan Museum of Art," by Natalie Kampen; "From the Vault: Meredith Martin on Jean Baptiste Oudry," by Meredith Martin; "International News: Jennifer Allen talks with the Curators of Documenta 12," by Jennifer Allen; "Tim Griffin Talks with Curator Robert Storr about the 52nd Venice Biennale"; "Elizabeth Schambelan Talks with the Curators of Skulptur Projekte Münster '07"; "On the Road: Traveling Exhibitions"; "The Return of Op," by David Rimanelli and Sarah K. ... [details]
Issue edited by Tim Griffin. Essays "Books : Benjamin H.D. Buchloh on Cy Twombly," by Benjamin H.D. Buchloh; "Film: Robin Wood on Michael Haneke's 'Caché,'" by Robin Wood; "Archictecture: Esther da Costa Meyer on Peter Eisenman," by Esther da Costa; "Performance: Johanna Burton on Marina Abramovic," by Johanna Burton; "Sven Lütticken on 'Populism,'" by Sven Lütticken; "On Site: Thomas Lawson on Jean Prouvé," by Thomas Lawson; "Top Ten," by Paola Pivi; "Winter 2006: 50 Shows Worldwide"; "US News: Chrissie Lles and Philippe Vergne discuss the Whitney Biennial," by Chrissie Iles and Philippe Vergne; "From the Vault: Christoper S. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
"The Pennsylvania Academy of the Fine Arts, Philadelphia, America's oldest museum and school of fine arts, was founded in 1805. Today, the Academy boasts one of the nation's finest collections of American art and a roster of alumni representing the greatest artists this country has produced. ... [details]