Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. ... [details]
Exhibition brochure published in conjunction with "Bad Girls," a two part exhibition: Part I held January 14 - February 27, 1994 and Part II held March 5 - April 10, 1994. Organized by Marcia Tucker. ... [details]
Catalogue from 1985 offering for rental and sale 200 video programs by 85 independent producers of experimental video as well as back issues of Video Data Banks publication "Profile." Artists include Vito Acconci, Chantal Akerman,Max Almy, Laurie Anderson, Carl Andre, Eleanor Antin, Betty Asher, Dore Ashton, Alice Aycock, Myrna Bain, John Baldessari, Jennifer Bartlett, Gregory Battcock, Romare Bearden, Billy Al Bengston, Joseph Beuys, Dara Birnbaum, Louise Bourgeois, Stan Brakhage, Joan Brown, Roger Brown, John Cage, Judy Chicago, Christo, Chuck Close, A. ... [details]
Two sided flyer / schedule of events published in conjunction with a series of five symposia organized as an accompaniment to the exhibition "Sustained Visions," examining the "esthetic, social, political, and economic aspects of the New York art community from the 1950s to the present," held May 2 - 30, 1979. ... [details]
Exhibition catalogue published in conjunction with show held at Matthew Marks Gallery, May 3 - June 30, 1996. The essay featured in the catalogue, "On the Sculpture," by William Tucker, was oroginally published in Art Journal 48 (Fall 1989): 244. ... [details]
Exhibition catalogue published in conjunction with show held September 14 - November 26, 1989. Curated and with a text by Laura Trippi with additional texts by Gary Indiana, Martin Meisel, Luce Irigaray, Orshi Drozdik, and an excerpt from a text by John Cage. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Essays include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
History of Max's Kansas City with over 200 black and white photographs, profiles, memorabilia, and hundreds of personal reminiscences and testimonials. Texts by Yvonne Sewall Ruskin, Lou Reed, Leee Black Childers, Kent Wallace, Taylor Mead, Gerard Malanga, Cherry Vanilla and Jeremiah Newton. ... [details]
Exhibition catalogue published in conjunction with show held at The Drawing Center, New York, February 24 - April 6, 1996. Texts by exhibition organizer and artist Julie Ault and artist and writer Thomas Lawson. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "End of an Era," by Dore Ashton; "Humanism and Reality - Thek and Warhol," by Battcock; "Jasper Johns: Stories and Ideas," by John Cage; "The Creative Act," by Marcel Duchamp; "The Art Audience and the Critic," by Henry Geldzahler; "Th Big Canvas," by E. ... [details]