Issue edited by Michelle Kuo. Essays "On Site: Meredith Martin on Contemporary Art at Versailles," by Meredith Martin; "Film: James Quandt on Apichatpong Weerasethakul," by James Quandt; "Books: Ekaterina Degot on Moscow Conceptualism," by Ekaterina Degot; "Slant: Morgan Fisher on Blinky Palermo," by Morgan Fisher; "Slant: Nato Thompson interviews W. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Greil Marcus on Captain Beefheart," by Greil Marcus; "Books: Terry Eagleton on François Dosse's 'Deleuze & Guattari,'" by Terry Eagleton; "Books: Joachim Pissarro and David Carrier on Thomas Kinkade," by Joachim Pissarro; "Film: James Quandt on Michelangelo Frammartino's 'Le Quattro Volte," by James Quandt; "Film: Melissa Anderson on Clio Barnard's 'The Arbor,'" by Melissa Anderson; "Film: Tim Griffin on Werner Herzog's 'Cave of Forgotten Dreams,'" by Tim Griffin; "On Site: Alan Licht on Sue de Beer's 'The Ghosts,'" by Alan Licht; "On Site: Nathan Dunne on the Sergei Paradjanov Museum," by Nathan Dunne; "Top Ten," by Christian von Borries; "Close-Up: A RRose in Berlin," Hal Foster on Marcel Duichamp's "Belle Haleine"; "To Be Determined: An Interview with John Armleder," by Fabrice Stroun; "Circling the Square: Archictecture and Revolution in Cairo," by Nasser Rabbat; "1000 Words: Robert Whitman," by Liz Kotz; "A Revolution in Film: The Cinema of Dziga Vertov," by John Mackay; "Openings: Jan Timme," by André Rottmann. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Alice Aycock on Dennis Oppenheim," by Alice Aycock; "Books: Martin Jay on Avital Ronell's 'Fight Theory,'" by Martin Jay; "Media: J. Hoberman on Ernie Kovacs," by J. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Paul Griffiths on Milton Babbitt," by Paul Griffiths; "Music: Cory Arcangel on Euro-Trance," by Cory Arcangel; "Slant: Okwui Enwezor on Ai Weiwei and Sharjah Biennial 10," by Okwui Enwezor; "Slant: Carol Armstrong on Paul Cézanne," by Carol Armstrong; "News: Catherine Wood on the Manchester International Festival," by Catherine Wood; "Film: Amy Taubin on Cristi Puiu's 'Aurora,'" by Amy Taubin; "Film: Steven Watson on Wynn Chamberlain's 'Brand X,'" by Steven Watson; "Archictecture: Owen Hatherley on Renzo Piano's Shard," by Owen Hatherley; "Top Ten," by Leilah Weinraub; "Acting Out: The Ab-Ex Effect," Introduction, Michelle Kuo; "Spatter and Daub: The Contradictions of Abstract Expressionism," by Harry Cooper; "Ab-Ex and Disco Balls: In Defense of Abstract Expressionism II," by Amy Sillman; "Close-Up: Carroll Dunham on William Baziote's 'Dwarf,'" by Carroll Dunham; "Depth Charge: Terry Winters talks with John Elderfield about Willem de Kooning"; "Close-Up: Jordan Kantor on Albert Oehlen's 'Fingermalerei,'" by Jordan Kantor; "Landmarks Preservation: Conserving the Monochrome," by Carol Mancusi-Ungaro; "Close-Up: Ann Temkin on Cy Twombly's 'Academy,'" by Ann Temkin; "Emptied Gesture: Roy Lichtenstein's 'Brushstrokes,'" by Graham Bader; "Close-Up: Molly Warnock on Georges Mathieu's 'Battle of the Bouvines,'" by Molly Warnock; "Signal Processing: Abstraction Then and Now," by David Joselit; "Close-Up: Mark Godfrey on Christopher Wool's New Work," by Mark Godfrey; "Eyes in the Heat: Jean Dubuffet, Cathy Wilkes, and Josh Smith," by Daniel Marcus; "Artists on Ab-Ex," by Rodney Graham, El Arakawa, Richard Prince, Jennifer West, Richard Jackson, Katharina Grosse, Jon Pestoni, Liang Yuanwei, Jacqueline Humphries, Katy Moran, Scott Lyall, Julian Schnabel, Lesley Vance, Nicole Eisenman; "Playing the Field: Computational Architecture and Abstract Painting," by Sean Keller; "1000 Words: Heimo Zobernig," by Achim Hochdörfer; "Openings: Matheus Rocha Pitta," by Irene V. ... [details]
Issue edited by Michelle Kuo. Essays "Film: Best of 2011," by John Waters, Amy Taubin, James Quandt, Regina Schlagnitweit, Ed Halter; "Music: Best of 2011," by Mark Mothersbaugh, George Lewis, Venus X, Nick Relph, Tobi Vail; "Dance: Best of 2011," by David Velasco; "Books: Best of 2011," by Svetlana Alpers, Anthony Vidler, Michael Fried, Dawn Ades, J. ... [details]
Issue edited by Michelle Kuo. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. ... [details]
February 1970 issue of Arts Magazine. Cover features Dan Flavin's "Untitled (to Henri Matisse), Pink, Gold, Blue, Green Fluorescent Light." Contributors include Dan Graham, Richard Foreman, Leon Golub, Irving Sandler, Richard Serra, William Wilson, Dore Ashton, Alfred Werner, Gregory Battcock, Lawrence Alloway, Arakawa, Jeanne Siegel, David Russell, Barrie Hale, and Bernard Borgeaud. [details]
Reference text compiled by the British Council, focusing on British artists who have participated in the São Paolo Bienal from 1951 - 1991. Features work by artists Francis Bacon, Lucien Freud, Keith Arnatt, William Scott, Anthony Caro, Lynn Chadwick, Alan Davie, Gilbert & George, Barbara Hepworth, Anish Kapoor, Richard Long, Henry Moore, Ben Nicholson, Colin Self, Graham Sutherland, Ceri Richards, Patrick Heron, Patrick Caulfield, Allen Jones, Martin Naylor, Tom Phillips, Stuart Brisley, David Mach, Richard Wilson, Bill Woodrow and many others. ... [details]
Exhibition catalogue published in conjunction with show held October 4, 1984 - January 6, 1985. Essays by Howard N. Fox, Miranda McClintic and chronology by Phyllis Rosenzweig. Artists include Vito Acconci, Mac Adams, John Ahearn, Terry Allen, Carlos Almaraz, Laurie Anderson, Eleanor Antin, Siah Armajani, Richard Artschwager, Conrad Atkinson, Alice Aycock, John Baldessari, Robert Barry, Jean-Michel Basquiat, Lynda Benglis, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Derek Boshier, Louise Bourgeois, Troy Brauntuch, Marcel Broodthaers, Joan Brown, Roger Brown, Chris Burden, Victor Burgin, Scott Burton, Jo Ann Callis, Peter Campus, Henry Chalfant, Louisa Chase, Sandro Chia, Francesco Clemente, Robert Colescott, Enzo Cucchi, Donna Dennis, Jane Dickson, Jiri Georg Dokoupil, Bernard Faucon, Rafael Ferrer, Eric Fischl, Vernon Fisher, Hamish Fulton, Charles Garabedian, Gilbert & George, Leon Golub, Robert Graham, Denise Green, Philip Guston, Hans Haacke, Keith Haring, Helen Mayer Harrison, Newton Harrison, Mariusz Hermanowicz, Nancy Holt, Jenny Holzer, Douglas Huebler, Jörg Immendorff, Neil Jenney, Anselm Kiefer, Edward Kienholz, Nancy Reddin Kienholz, Ken Kiff, Alain Kirili, Komar & Melamid, Joseph Kosuth, Jannis Kounellis, Barbara Kruger, Thomas Lanigan-Schmidt, Jean Le Gac, Les Levine, Sherrie Levine, Richard Long, Robert Longo, Markus Lupertz, Carlo Maria Mariani, Gordon Matta-Clark, Mario Merz, Duane Michals, Malcolm Morley, Ree Morton, Robert Moskowitz, Bruce Nauman, Hermann Nitsch, Isamu Noguchi, Jim Nutt, Dennis Oppenheim, Tom Otterness, Nam June Paik, Mimmo Paladino, Esther Parada, Ed Paschke, A. ... [details]
"Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. ... [details]
