"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
February 1969 issue of Art Now : New York. Edited by Paul Katz and Ward Jackson. Artists in the issue include Allan D'Arcangelo, Charles Hinman, Karl Knaths, James Rosenquist, and Larry Zox. Off-white folder containing 7 loose-leaf color plates. ... [details]
Set 3 of a series of playing cards by Don Cellender featuring images of well known artists superimposed over images of baseball players on semi fictionally titled teams. Verso has a representative image or statement about the art world figure pictured. ... [details]
Issue edited by Philip Leider. A Preview of the United States Section, Sao Paulo Bienal, 1965: "Introduction"; "Barnett Newman," by Lawrence Alloway; "Frank Stella," by Philip Leider; "Larry Bell," by John Coplans; "Donald Judd," by Barbara Rose; "Larry Poons," by John Coplans; "Billy Al Bengston," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Dorothea Rockburne: A Note," by Mel Bochner; "Dorothea Rockburne: Works and Statements," edited by Robert Pincus-Witten; "Dorothea Rockburne: An Interview," by Jennifer Licht; "Reflections on the State of Criticism," by Leo Steinberg; "Larry Poons' New Paintings," by Michael Fried; "On Style: An Examination of Roy Lichtenstein's Development," by Lawrence Alloway; "'The Man with the Movie Camera': From Magician to Epistemologist," by Annette Michelson; "From the Notebooks of Dziga Vertov," translated by Marco Carynnyk; "Ed Moses: The Problem of Regionalism," by Peter Plagens. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Marco Meneguzzo on Mimmo Rotella," by Marco Meneguzzo; "Film: Rhonda Lieberman on 'Art School Confidential,'" by Rhonda Lieberman; "Film: David A. Ross on William Eggleston," by David A. ... [details]
A collection of true stories about bad drug experiences. "Pairing individual stories with paintings, collages, and photographs by Cliff Hengst and Scott Hewicker, the book delves deeply into the romantic pathos of psychedelic crisis. ... [details]
Survey of the work of L.A. based artists before 1980. Edited by Lyn Kienholz with contributing editors Elizabeta Betinski and Corinne Nelson. Includes appendix. "'L.A. Rising SoCal Artists Before 1980' is the first comprehensive pictorial showcase of the diverse universe of artists working in the Los Angeles area during the formative period of Los Angeles' art history. ... [details]
Exhibition catalogue published in conjunction with show held March 14.04 - August 2, 2004. Essays by Diedrich Diederichsen, Jonathan Flatley, Timothy Martin, James Meyer and Anne Rorimer. Exhibition curator Ann Goldstein contributes an introduction. ... [details]
