Exhibition catalogue published in conjunction with show held November 20, 1966 - January 15, 1967. Parallel Dutch / English texts by E. de Wilde & W.A.L Beeren. Includes biography, exhibition chronology, bibliography for each of 37 artists, which includes Josef Albers, Max Bill, Richard Paul Lohse, Peter Struycken, Victor Vasarely, Ellsworth Kelly, Alexander Liberman, Barnett Newman, Leon Polk Smith, William Turnbull, Paul Feeley, Al Held, Nicolas Krushenick, Morris Louis, Sven Lukin, Kenneth Noland, Richard Smith, Frank Stella, Neil Williams, Allan D'Arcangelo, Bonies, Derek Boshier, Robyn Denny, Robert Indiana, Tess Jaray, Hans Koetsier, Tadaaki Kuwayama, Karl-Georg Pfahler, John Plumb, Michael Tyzack, Marc Vaux, Mark Brusse, Donald Judd, Utz Kampmann, Phillip King, Gerald Laing, and Kaspar-Thomas Lenk. ... [details]
Anthology of theatrical/performative scripts and documents conceived as of as a companion to Breakthrough Fictioneers and Essaying Essays. Compiled and edited by Richard Kostelantz. Features contributions by Marina Abramovic, Ulay, Blair H. ... [details]
Exhibition catalogue published in conjunction with show held August 1 - November 1, 1987. The exhibition itself was centered around the idea of stations -- in the eyes of the curators, this meant "to halt, to come to rest, to suspend action and concentrate the intellect; to stand at the border between life and death . ... [details]
Exhibition catalogue published in conjunction with show held December 17, 1968 - February 9, 1969. Artists included in the exhibition are Peter Agostini, Calvin Albert, Peter Alexander, John Anderson, Stephen Antonakos, Richard Artschwager, Jerry Ballaine, Robert Bart, Leonard Baskin, Mary Bauermeister, Bennett Bean, John Bennett, Fletcher Benton, Tony Berlant, Ben Berns, Michael Bigger, Ronald Bladen, Varujan Boghosian, Lee Bontecou, Louise Bourgeois, Alexander Calder, Kennetth Campbell, John Chamberlain, Chryssa, Mike Cooper, Tony Delap, Walter De Maria, Deborah de Moulpied, Jose de Rivera, Mark di Suvero, Tom Doyle, Robert Engman, Peter Erskine, Herbert Ferber, Frank Gallo, William Geis III, Cristos Gianakos, John Goodyear, Robert Graham, Nancy Grossman, Robert Grosvenor, Roy Gussow, Peter Gutkin, Michael Hall, Duayne Hatchett, Alex Hay, Michael Heizer, Eva Hesse, Will Horwitt, Robert Howard, Robert Hudson, Richard Hunt, James Huntington, Daniel Larue Johnson, Donald Judd, Craig Kauffman, Ellsworth Kelly, William King, Robert Kinmont, Lyman Kipp, Gabriel Kohn, Joseph Konzal, Rockne Krebs, Gary Kuehn, Gerald Laing, Leroy Lamis, Stanley Landsman, Michael Lekakis, Joseph Levi, Les Levine, Alexander Liberman, Roy Lichtenstein, Seymour Lipton, Jim Love, Bix Lye, Sheldon Machlin, Robert Mallary, John McCracken, Ed McGowin, Walter McNamara, Clement Meadmore, James Melchert, Robert Morris, Robert Murray, Louise Nevelson, Barnett Newman, Minoru Niizuma, Claes Oldenburg, Dennis Oppenheim, Alfonso Ossorio, Harold Paris, Kenneth Price, Leo Rabkin, Carlos Ramos, James Reineking, Sam Richardson, Robert Richenburg, George Rickey, Larry Rivers, Henry Rollins, James Rosati, Bernard Rosenthal, Charles Ross, Theodore Roszak, Lucas Samaras, Fred Sandback, Alan Saret, Julius Schmidt, Roy Schnackenberg, George Segal, Jason Seley, William Sellers, Richard Serra, Robert Smithson, Kenneth Snelson, Sylvia Stone, Edvins Strautmanis, George Sugarman, Wayne Taylor, Julius Tobias, Michael Todd, Ernest Trova, Anne Truitt, William Tunberg, Dewain Valentine, Richard van Buren, Frank Lincoln Viner, Ruth Vollmer, David von Schlegell, David Weinrib, Tom Wesselmann, H. ... [details]
Issue no. 10/12 of Das Kunstwerk covering the New York art scene, with snapshots of the New York contemporary art and gallery scene in the mid-60s featuring photos of artists at work in their studios and work on display. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Exhibition catalogue published in conjunction with show held at the Castello di Rivoli, Museo d'Arte Contemporanea, October 20, 1997 - January 18, 1998. Essays by Ida Gianelli, Johanna Drucker, and David Ross. ... [details]
Exhibition catalogue published in conjunction with show held January 12-March 30, 1986. Contributions by Sam Hunter, James D. Robinson, Elliot B. Barnett, George Bolge, Harry F. Gaugh, Robert C. Morgan, Richard Sarnoff, Malcolm Daniel, Karen Koehler and Kim Levin. ... [details]
Issue edited by Philip Leider. Essays "Caro's Abstractness," by Michael Fried; "The Artist and Politics: A Symposium," by Carl Andre, Jo Baer, Walter Darby Bannard, Billy Al Bengston, Rosemarie Castoro, Rafael Ferrer, Don Judd, Irving Petlin, Ed Ruscha, Richard Serra, and Lawrence Weiner; "How I Spent my Summer Vacation," by Philip Leider; "Goodbye, Architecture," by Helmut C. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Blake Stimson and Thomas Struth on Bernd Becher," by Blake Stimson and Thomas Struth; "Passages: Maria Morris Hambourg on John Szarkowski," by Maria Morris Hambourg; "Books: Elizabeth Schambelam on 'The So-Called Utopia of the Centre Beaubourg," by Elizabeth Schambelan; "Film: Jason Simon on Chris Marker," by Jason Simon; "Media: Julia Bryan-Wilson on '9 Scripts from a Nation at War,'" by Julia Bryan-Wilson; "Sound: Bennett Simpson on David Grubbs and Susan Howe," by Bennett Simpson; "Architecture: Aaron Betsky on Steven Holl's Bloch Building," by Aaron Betsky; "Slant: Rosalind Krauss on 'Invisible Colors,'" by Rosalind Krauss; "Top Ten," by Rosalind Nashashibi; "The Art of Production: Introduction," by Scott Rothkopf; "Industrial Revolution: The History of Fabrication," by Michelle Kuo with production notes by Andrea Zittel and Roni Horn; "The Server/User Mode: The Art of Olafur Eliasson," by Caroline A. ... [details]